Blessing and cursing -- Fiction; England -- Fiction; Families -- Fiction; Romanies -- Fiction
murdered in cold blood, and trying to get at them as shot him down.
Well, I’ve lived through them five years; I’m a tough un to kill. You
think of it, lad--you as lives as I lived for the most part, under the
sky, with the free air blowing in your face all day--think what prison
is: Four bare walls, a dog’s work in front of you, and a slave-driver
to see as you do it; and all the while eating your heart out with
knowing it was unjust, the cruel injustice of a titled scoundrel as
had broken your sister’s heart, and made a jailbird of you, and
murdered your father. And all for what? For his own dirty pride--pride
of his family, as are no older than us Carewes; pride that I’ll humble
in the dust yet, if I spend the rest of my life in quod for it.”
“There ain’t no talk of quod for this business of ours, dearie,” put
in the old crone, as she stirred the fire with a bent iron stick. “You
shall have your revenge, sure enough, and so will I. Your _dadi_ Hiram
was my own first-born, that I’d seen grow up from the stoutest and
prettiest _kinchin_ to the finest man in the country-side. And my eyes
have seen what yours have not: your sister, my bonny Clare, as she lay
dying in my arms, making me swear on her child’s head that I would
punish Philip Cranstoun. ‘He swore he would break my pride,’ she said,
with the death-rattle in her throat. ‘_Mami_, break his. Disgrace is
worse than death to him. He has brought death upon me; bring disgrace
upon him.’ I seem to hear her voice now, and to see her glazing eyes
light up for the last time as she said the words.”
She sat still for a while, staring into the flaming logs over the
outstretched figure of James Carewe. A wonderful Rembrandtesque study
they would have made, those three generations of gypsies, had any
Dutch painter been there to fix the scene on canvas, with its sombre
tone lit by the ruddy firelight. The woman, in her heavy cloak, the
hood fallen back, and disclosing a faded red and yellow silk
handkerchief wound round her head, from which scattered white elf
locks fell over her wrinkled brow and sunken cheeks. Only a great
artist could have reproduced the look in her glittering black eyes, a
look that took in a past of wrongs and sufferings, and brooded in
cruel, anticipative joy over a future of revenge.
Public-domain text, read in full here on John Shaqi.
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