Blessing and cursing -- Fiction; England -- Fiction; Families -- Fiction; Romanies -- Fiction
Stephen Lee strolled back to his own compartment, but his indifference
was only assumed. He was utterly dazed and puzzled. “’Tis some trick
of old Sarah’s,” he kept on repeating to himself, and his bewilderment
was so great that he hardly troubled his mind by surmises as to what
would pass between the bride and bridegroom, left alone together again
after the episode of the station.
What did actually happen became a fruitful topic for society
newspapers for many, many months afterward.
Lord Carthew’s face was fixed like a mask as he seated himself on the
opposite side of the carriage to his bride, while the train began
slowly moving out of the station. It vexed him that presently he could
not control that nervous twitching at this moment when he needed all
his firmness, all his dignity. He could not speak to her, for with all
his radical notions he was essentially a proud man, with a very high
ideal of womanhood, and a still higher ideal of the position and
duties of the woman he had chosen for his wife. Her conduct filled his
mind with the utmost dismay, and a sensation of strong repulsion
against her began to overmaster him.
“Are you cross?” she asked at last, lightly, breaking the silence. “I
only mean to tease you.”
“Stella,” he exclaimed in desperation, “are you mad? Are you not
capable of appreciating the value of your own actions, or has grieving
over your recent loss turned your brain? Do you understand that you
are my wife, Lady Carthew, that my honor is yours, and that it is
outraging my name and your own reputation to make yourself a
laughing-stock for station idlers by vulgar familiarity with one of
your father’s servants? Stella, I can hardly believe it possible that
I should have to address such words to _you_; _you_, whom I have
reverenced as the most innocent, most refined of women! You cannot
surely know what you are doing; fever must have mounted to your
brain--great Heaven! If I thought you were truly responsible for such
coarse and immodest behavior, I would never willingly look upon your
face again!”
He had risen in his excitement, and stood staring across at her,
noting with ever-increasing wonder and disgust the way in which she
leaned forward, with her elbow on the table, and her face resting on
her right hand, while with her left she drummed an impatient tattoo in
front of her.
She looked up at him, furtively.
“Am I to understand,” she asked, “that you hope I’m mad?”
“You are to understand,” he broke out, passionately, “that only
temporary insanity would, in my eyes, excuse your revolting conduct.”
“Well,” she cried, suddenly opening the carriage-door, “here goes for
a little more insanity! I’m tired of you already. By-by, dearest!”
On the last word, to Lord Carthew’s horror, she sprang from the open
door of the now rapidly moving train, and was lost to sight almost
immediately as the engine entered a tunnel.
Public-domain text, read in full here on John Shaqi.
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