The Great Acceptance: The Life Story of F. N. CharringtonThorne, Guy
History
The Great Acceptance: The Life Story of F. N. Charrington
Thorne, Guy
Charrington, Fredk. N. (Frederick Nicholas), 1850-1936; Poor -- England -- London
"At night the artificial lighting is not less striking, a continuous
row of gas jets following the outlines of the clerestory arches. A
skilful arrangement of subsidiary lights destroys all shadows, and the
effect is that of bright sunshine. An alternative system dispenses
with the upper jets and substitutes a row at the level of the first
gallery which is sufficient to give light to the ground area, when
small meetings only are to be held.
"With regard to ventilation, the plan selected seems most effectual.
Every part of the building is under separate control, and there are
numerous cunning little contrivances which are simple and not
patented, but which do their work extremely well.
"In an accoustical sense the hall is perfect. I am told that the flat
panelled ceiling, which resembles in form that of the House of
Commons, contributes to this result.
"I was curious to know the truth of the assertion that from every
seat, and there are four thousand three hundred, a view of the speaker
upon the upper platform could be gained. I found it a fact.
"Three prominent adjuncts of the hall remain to be described. The
first is the great organ, containing 2178 speaking pipes, erected at
the cost of £1000 by Messrs. Bevington & Son. The natural steel colour
of the pipes has been preserved. It is a very fine instrument, and is
not dwarfed or spoilt by the platforms in front of it, nor hidden in
the recess which it fills. This shell-shaped alcove acts as a sounding
board.
"Over the great arch there are bas-reliefs representing groups of
angels in the act of praise. From this arch falls the painted drop
curtain, the subject of the picture thereon being the Feeding of the
Five Thousand on the slopes of the Sea of Galilee. The curtain gives
colour to the hall, and protects the organ when not in use.
"Under the choir platform there is a large inquiry room, a part of
which is partitioned off to provide space for a gas engine to work the
great organ.
"Another unusual feature is the octagonal Italian loggia or lobby,
which intervenes between the frontage buildings and the hall. It is
forty-four feet each way, by thirty-four feet high, and is lighted
from the roof. The landings from two of the four great staircases, at
each corner of the hall have exits into two galleries or balconies,
looking down into the lobby.
"The warming of the building is by an improved hot-air method, and the
exits for use in case of fire are ample."
The opening meeting, an occasion fraught with a significance that only
Mr. Charrington and the thousands of friends who support his work can
realise--for the outside world has known but little of the great work
compared with its knowledge of other, and more largely advertised,
agencies for good--was of an extraordinary character.
Public-domain text, read in full here on John Shaqi.
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