Cape Cod (Mass.) -- Description and travel; Natural history -- Massachusetts -- Cape Cod
They are all elements in a great exchange--this ardor and play of one
instant in time, an instant that is equal in importance to all others.
I stand here at the apex of one day. Here out of a thousand years is
another advent, another chance for action, another use for sight, in
the beautiful agreement of all contrary, separate, and divided things.
I remember one evening at Morris Island in the latter part of August,
with the day beginning to fall and the surf’s dull roar sounding from
the sands of the great beach, a beach behind me, still beyond me,
still in a sense not walked. The tide started to ebb, flicking lightly
against the shore, lapsing with the evening as if the sea had an easy
courtesy of its own, and with the smoky sunset low on the western sky,
the waters moved out over gray sands. There was a perfect symmetry to
the evening. Terns flew over, light, airy, floating with a swallow’s
beat, but deep, sure, and strong. Little sanderlings and red-backed
sandpipers, half-seen in the dusk, ran through reflections in the
shallow waters at the edge of the tide, part of its coolness and flow,
the little waves in banked rows rippling. The birds tripped forward and
dipped to the mirrored salmon, copper and crystal in these waters, in
a communication. The terns trilled harshly and sometimes their bodies
trembled as they beat up against the light wind and changed position.
A single herring gull stood still on a hummock at the tide’s edge like
an Indian in a ritualistic acceptance of darkness coming on. The order
of change and constancy began to take light’s fire and warmth and its
colors away, in the graduated motion of the sky, along with all flying
elements like the terns, like thought, and the unimagined combinations
of being. The wavelets edged out. The sanderlings started to flit off
and disappear. Finally there was no turning back the authority of night.
[Illustration]
Transcriber’s Notes
Perceived typographical errors have been silently corrected.
Illustrations have been moved nearer to the text to which they refer.
Variations in hyphenation and compound words have been preserved.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account