The great betrayal (La trahison des clercs)Benda, Julien
Philosophy
The great betrayal (La trahison des clercs)
Benda, Julien
Intellectuals; Nationalism; Philosophy, Modern
Add also the sovereignty the artist now attributes
to his desires and their satisfaction (the ‘rights of genius’) and,
consequently, his natural hatred for systems which limit each person’s
liberty of action by that of others. And finally add the artist’s
aversion from everything which is general, everything which is only
the object of conception, not of sensation.[158] The determination of
men of letters to pass judgment only in accordance with their artistic
sensibility is only one aspect of their desire (since Romanticism) to
exalt feeling at the expense of thought, a desire which itself is one
among the thousand results of the decline of intellectual discipline
among them. The new political attitude of the ‘clerks’ seems to me to
be here the result of a serious modification of their state of mind.
This attitude also seems to me to result from the decline of the
study of classical literature in the formation of their minds. The
humanities, as the word implies, have always taught the cult of
humanity in its universal aspect, at least since the time of the
Portico.[159] The decline of Graeco-Roman culture in Barrès and his
literary generation, in comparison with that of Taine, Renan, Hugo,
Michelet, even Anatole France and Bourget, is undeniable. Still less
will it be denied that this decline is considerably more noticeable
in Barrès’s successors. However, this decline does not prevent these
writers from extolling classical studies, but they do not do this
with the idea of reviving the cult for what is human in its universal
aspect, but on the contrary to strengthen the ‘French’ mind, or at
least the ‘Latin’ mind, in the grasp of its own roots, in consciousness
of itself as distinct from other minds. Notice that this decline of
classical culture in the French writers coincides with the discovery of
the great German realists, Hegel and especially Nietzsche, whose genius
had the more effect on these Frenchmen because their lack of classical
discipline deprived them of the one real barrier which can be opposed
to that genius.[160]
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