The night of March 28, 182-, was precisely one of the nights that
were wont to call forth these expressions of commiseration. The level
rainstorm smote walls, slopes, and hedges like the clothyard shafts
of Senlac and Crecy. Such sheep and outdoor animals as had no shelter
stood with their buttocks to the winds; while the tails of little
birds trying to roost on some scraggy thorn were blown inside-out like
umbrellas. The gable-end of the cottage was stained with wet, and the
eavesdroppings flapped against the wall. Yet never was commiseration
for the shepherd more misplaced. For that cheerful rustic was
entertaining a large party in glorification of the christening of his
second girl.
The guests had arrived before the rain began to fall, and they were
all now assembled in the chief or living room of the dwelling. A
glance into the apartment at eight o'clock on this eventful evening
would have resulted in the opinion that it was as cosy and comfortable
a nook as could be wished for in boisterous weather. The calling of
its inhabitant was proclaimed by a number of highly-polished sheep
crooks without stems that were hung ornamentally over the fireplace,
the curl of each shining crook varying from the antiquated type
engraved in the patriarchal pictures of old family Bibles to the most
approved fashion of the last local sheep-fair. The room was lighted
by half-a-dozen candles, having wicks only a trifle smaller than the
grease which enveloped them, in candlesticks that were never used but
at high-days, holy-days, and family feasts. The lights were scattered
about the room, two of them standing on the chimney-piece. This
position of candles was in itself significant. Candles on the
chimney-piece always meant a party.
On the hearth, in front of a back-brand to give substance, blazed a
fire of thorns, that crackled "like the laughter of the fool."
Public-domain text, read in full here on John Shaqi.
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