It was somehow a muddled world in which one of her conceivable joys,
at this time of day, would be to marry Mr. Pitman--to say nothing of a
state of things in which this gentleman's own fancy could invest such
a union with rapture. That, however, was their own mystery, and Julia,
with each instant, was more and more clear about hers: so remarkably
primed in fact, at the end of three minutes, that though her friend,
and though _his_ friend, were both saying things, many things and
perhaps quite wonderful things, she had no free attention for them
and was only rising and soaring. She was rising to her value, she was
soaring _with_ it--the value Mr. Pitman almost convulsively imputed
to her, the value that consisted for her of being so unmistakably the
most dazzling image Mrs. Brack had ever beheld. These were the uses,
for Julia, in fine, of adversity; the range of Mrs. Brack's experience
might have been as small as the measure of her presence was large:
Julia was at any rate herself in face of the occasion of her life,
and, after all her late repudiations and reactions, had perhaps never
yet known the quality of this moment's success. She hadn't an idea of
what, on either side, had been uttered--beyond Mr. Pitman's allusion
to her having befriended him of old: she simply held his companion
with her radiance and knew she might be, for her effect, as irrelevant
as she chose. It was relevant to do what he wanted--it was relevant to
dish herself. She did it now with a kind of passion, to say nothing of
her knowing, with it, that every word of it added to her beauty. She
gave him away in short, up to the hilt, for any use of her own, and
should have nothing to clutch at now but the possibility of Murray
Brush.
Public-domain text, read in full here on John Shaqi.
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