Julia floated even to her own sense swan-like away--she left in her
wake their fairly stupefied submission: it was as if she had, by an
exquisite authority, now _placed_ them, each for each, and they would
have nothing to do but be happy together. Never had she so exulted
as on this ridiculous occasion in the noted items of her beauty. _Le
compte y était_, as they used to say in Paris--every one of them, for
her immediate employment, was there; and there was something in it
after all. It didn't necessarily, this sum of thumping little figures,
imply charm--especially for "refined" people: nobody knew better than
Julia that inexpressible charm and quotable "charms" (quotable
like prices, rates, shares, or whatever, the things they dealt in
down-town) are two distinct categories; the safest thing for the
latter being, on the whole, that it might include the former, and the
great strength of the former being that it might perfectly dispense
with the latter. Mrs. Drack was not refined, not the least little bit;
but what would be the case with Murray Brush now--after his three
years of Europe? He had done so what he liked with her--which
had seemed so then just the meaning, hadn't it? of their being
"engaged"--that he had made her not see, while the absurdity lasted
(the absurdity of their pretending to believe they could marry without
a cent), how little he was of metal without alloy: this had come up
for her, remarkably, but afterward--come up for her as she looked
back. Then she had drawn her conclusion, which was one of the many
that Basil French had made her draw. It was a queer service Basil was
going to have rendered her, this having made everything she had ever
done impossible, if he wasn't going to give her a new chance. If he
was it was doubtless right enough. On the other hand, Murray might
have improved, if such a quantity of alloy, as she called it, _were_,
in any man, reducible, and if Paris were the place all happily to
reduce it. She had her doubts--anxious and aching on the spot, and had
expressed them to Mr. Pitman: certainly, of old, he had been more open
to the quotable than to the inexpressible, to charms than to charm. If
she could try the quotable, however, and with such a grand result, on
Mrs. Drack, she couldn't now on Murray--in respect to whom everything
had changed. So that if he hadn't a sense for the subtler appeal, the
appeal appreciable by people _not_ vulgar, on which alone she could
depend, what on earth would become of her? She could but yearningly
hope, at any rate, as she made up her mind to write to him immediately
at his club. It was a question of the right sensibility in him.
Perhaps he would have acquired it in Europe.
Public-domain text, read in full here on John Shaqi.
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