The death of Numa forms the conclusion of the first _saeculum_, and an
entirely new period follows, just as in the Theogony of Hesiod the age
of heroes is followed by the iron age; there is evidently a change, and
an entirely new order of things is conceived to have arisen. Up to this
point we have had nothing except poetry, but with Tullus Hostilius a
kind of history begins, that is, events are related which must be taken
in general as historical, though in the light in which they are
presented to us they are not historical. Thus, for example, the
destruction of Alba is historical, and so in all probability is the
reception of the Albans at Rome. The conquests of Ancus Martius are
quite credible; and they appear like an oasis of real history in the
midst of fables. A similar case occurs once in the chronicle of Cologne.
In the Abyssinian annals, we find in the thirteenth century a very
minute account of one particular event, in which we recognize a piece of
contemporaneous history, though we meet with nothing historical either
before or after.
The history which then follows is like a picture viewed from the wrong
side, like phantasmata; the names of the kings are perfectly fictitious;
no man can tell how long the Roman kings reigned, as we do not know how
many there were, since it is only for the sake of the number that seven
were supposed to have ruled, seven being a number which appears in many
relations, especially in important astronomical ones. Hence the
chronological statements are utterly worthless. We must conceive as a
succession of centuries the period from the origin of Rome down to the
times wherein were constructed the enormous works, such as the great
drains, the wall of Servius, and others, which were actually executed
under the kings and rival the great architectural works of the
Egyptians. Romulus and Numa must be entirely set aside; but a long
period follows, in which the nations gradually unite and develop
themselves until the kingly government disappears and makes way for
republican institutions.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account