When for nearly forty years Rome had been deserted by the
popes, who had betaken themselves in 1309 to a long
residence at Avignon, France, and when the Eternal City was
virtually without an imperial government--the Teutonic
emperors having likewise abandoned her--she fell back upon
the memories of her great past, recalling the glories of her
ancient supremacy and the means whereby it had been
established and maintained. Whatever might promise to
restore it she was ready to welcome.
At this time the real masters of Rome were the princes or
barons dwelling in their fortified castles outside or in
their strong palaces within the city. Over the northern
district, near the Quirinal, reigned the celebrated old
family of the Colonnas; while along the Tiber, from the
Campo-di-Fiore to the Church of St. Peter, extended the sway
of the new family of the Orsini. Other members of the
nobility, in the country, held their seats in small
fortified cities or castles. Under such domination Rome had
become almost deserted. "The population of the seven-hilled
city had come down to about thirty thousand souls." When at
peace with one another--which was rarely--the barons
exercised over the citizens and serfs a combined tyranny,
while the farmers, travellers, and pilgrims were made
victims of their plunder. At this period Petrarch--that
"first modern man"--wrote to Pope Clement VI that Rome had
become the abode of demons, the receptacle of all crimes, a
hell for the living.
"It was in these circumstances that a momentary revival of
order and liberty was effected by the most extraordinary
adventurer of an age that was prolific in adventurers." This
was Cola Di Rienzi, who was born in Rome about 1313, and who
is sometimes styled "an Italian patriot." In his ambitious
endeavor to reinstate the Caesarean power in Italy he appears
alternately in the figure of a hero and the character of a
charlatan. Believing himself the founder of a new era, he
was inflamed by his successes, and ended in "mystical
extravagances and follies which could not fail to cause his
ruin."
Cola Di Rienzi was born of humble parents, though he afterward tried to
gratify his own vanity and to gain the ear of Charles IV by claiming to
be the bastard son of Henry VII. A wrong which he could not venture to
avenge excited his bitter hostility against the baronage, while the
study of Livy and other classical writers inspired him with regretful
admiration for the glories of ancient Rome.
He succeeded in attracting notice by his personal beauty and by the
rather turgid eloquence which was his chief talent. In 1342 he took the
most prominent part in an embassy from the citizens to Clement VI; and
though he failed to induce the Pope to return to Rome, which at that
time he seems to have regarded as the panacea for the evils of the time,
he gained sufficient favor at Avignon to be appointed papal notary.
Public-domain text, read in full here on John Shaqi.
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