Done in this city, November, 1533. At the service of your worships,
HERNANDO PIZARRO.
WILLIAM H. PRESCOTT
The clouds of the evening had passed away, and the sun rose bright on
the following morning, the most remarkable epoch in the annals of Peru.
It was Saturday, November 16, 1532. The loud cry of the trumpet called
the Spaniards to arms with the first streak of dawn; and Pizarro,
briefly acquainting them with the plan of the assault, made the
necessary dispositions.
The plaza was defended on its three sides by low ranges of buildings,
consisting of spacious halls with wide doors or vomitories opening into
the square. In these halls he stationed his cavalry in two divisions,
one under his brother Hernando, the other under De Soto. The infantry he
placed in another of the buildings, reserving twenty chosen men to act
with himself as occasion might require. Pedro de Candia, with a few
soldiers and the artillery, comprehending under this imposing name two
small pieces of ordnance called falconets, he established in the
fortress. All received orders to wait at their posts till the arrival of
the Inca. After his entrance into the great square, they were still to
remain under cover, withdrawn from observation, till the signal was
given by the discharge of a gun, when they were to cry their war-cries,
to rush out in a body from their covert, and, putting the Peruvians to
the sword, bear off the person of the Inca. The arrangements of the
immense halls, opening on a level with the plaza, seemed to be contrived
on purpose for a _coup de theatre_. Pizarro particularly inculcated
order and implicit obedience, that in the hurry of the moment there
should be no confusion. Everything depended on their acting with
concert, coolness, and celerity.
Public-domain text, read in full here on John Shaqi.
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