Situated in a flat and uninviting plain--poor and barren, as the
uncultivated border-land of the two kingdoms--Guines and its castle
offered little attraction, and if possible less accommodation, to the
gay throng now to be gathered within its walls. Its weedy moat and
dismantled battlements, "its keep too ruinous to mend," defied the
efforts of carpenters and bricklayers, as the English commissioners
pathetically complained; and could not by any artifice or contrivance be
made to assume the appearance of a formidable, or even a respectable,
fortress to friend or enemy. But on the castle green, within the limits
of a few weeks, and in the face of great difficulties, the English
artists of that day contrived a summer palace, more like a vision of
romance, the creation of some fairy dream--if the accounts of
eye-witnesses of all classes may be trusted--than the dull, every-day
reality of clay-born bricks and mortar.
No "palace of art" in these beclouded climates of the West ever so truly
deserved its name. As if the imagination of the age, pent up in wretched
alleys and narrow dwelling-houses, had resolved for once to throw off
its ordinary trammels and recompense itself for its long restraint, it
prepared to realize those visions of enchanted bowers and ancient
pageantry on which it had fed so long in the fictions and romances of
the Middle Ages. I have thought it worth while to notice so much of the
details as will enable the reader to form some slight conception for
himself of this scene of enchantment which the genius of the age had
contrived for its own amusement.
Public-domain text, read in full here on John Shaqi.
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