The shouts and uproar attending this buffoonery attracted the Prince of Orange and Counts Egmont and Horn, who, by chance, were passing the spot at the very moment, and on entering the house were boisterously pressed by Brederode, as host, to remain and drink a glass with them.[3] [3] "But," Egmont asserted in his written defence, "we drank only one single small glass, and thereupon they cried, 'Long live the King and the Gueux!' This was the first time that I heard that appellation, and it certainly did not please me. But the times were so bad that one was often compelled to share in much that was against one's inclination, and I knew not but I was doing an innocent thing." The entrance of three such influential personages renewed the mirth of the guests, and their festivities soon passed the bounds of moderation. Many were intoxicated; guests and attendants mingled together without distinction, the serious and the ludicrous; drunken fancies and affairs of state were blended one with another in a burlesque medley; and the discussions on the general distress of the country ended in the wild uproar of a bacchanalian revel. But it did not stop here; what they had resolved on in the moment of intoxication, they attempted when sober to carry into execution. It was necessary to manifest to the people in some striking shape the existence of their protectors, and likewise to fan the zeal of the faction by a visible emblem; for this end nothing could be better than to adopt publicly this name of Gueux, and to borrow from it the tokens of the association. In a few days the town of Brussels swarmed with ash-gray garments, such as were usually worn by mendicant friars and penitents. Every confederate put his whole family and domestics in this dress. Some carried wooden bowls thinly overlaid with plates of silver, cups of the same kind, and wooden knives; in short, the whole paraphernalia of the beggar tribe, which they either fixed around their hats or suspended from their girdles. Round the neck they wore a golden or silver coin, afterward called the "Guesen penny," of which one side bore the effigy of the King, with the inscription "True to the King"; on the other side were seen two hands folded together, holding a wallet, with the words "as far as the beggar's scrip." Hence the origin of the name "Gueux," which was subsequently borne in the Netherlands by all who seceded from popery and took up arms against the King. A name decides the whole issue of things. In Madrid that was called rebellion which in Brussels was styled only a lawful remonstrance. The complaints of Brabant required a prudent mediator; Philip II sent an executioner, and the signal for war was given. An unparalleled tyranny assailed both property and life.