Gustavus' body was brought on a powder-wagon to the hamlet of Meuchen,
where it was placed for the night in the church, before the altar. The
next day it was carried to the schoolmaster's house, until he, being
joiner of the village also, constructed the simple shell in which it was
conveyed to Weissenfels. There the body was embalmed by the King's
apothecary, Caspar, who counted in it nine wounds. The heart, which was
uncommonly large, was preserved by the Queen in a golden casket. A
trooper, who had been wounded at the King's side, who remained at
Meuchen until his wound was healed, assisted by some peasants, rolled a
large stone toward the spot where he fell. They were unable, however, to
bring the stone, now called the "Swede's Stone," to the exact spot, from
which it stands some thirty or forty paces distant.
The death of Gustavus Adolphus cast a gloom over the whole of Europe.
Even foes could lament the fall of so noble an enemy. To his subjects,
to his allies, to the bondmen who looked to him for redress and
deliverance, his loss was a heartrending sorrow. Grave and aged senators
wrung their hands and sobbed aloud when intelligence reached Stockholm.
In the unfortunate Frederick of Bohemia it produced, as we have seen, a
depression that contributed probably to this death.
Nor was the grief shown by the many merely political or selfish, excited
because the public or individual hopes centred in the King seemed to
have perished with him. A heartfelt loyalty, a strong personal
admiration and attachment, intermingled with other sources of regret and
dignified the sorrow.
It would have been strange had it been otherwise. There were in Gustavus
most of the advantages and amenities of person and character which make
a popular king, a man admired and beloved. In his latter years, indeed,
he no longer possessed the graceful form that had belonged to him when
he was an ardent and favored suitor of Ebba Brahé; but the slight
inclination to corpulency that grew with him as he advanced toward
middle age detracted probably little, if at all, from the commanding
dignity of his person. His countenance to the last retained its
captivating sweetness and expressive variety. It was a countenance of
which the most accomplished pencil could give in one effort only an
inadequate idea, and which Vandyke--to whose portrait of the King none
of the engravings which I have seen, probably, do justice--has
represented only in repose.
But in the varying play of Gustavus' features men could read his
kindness of heart, his large powers of sympathy, his quick intelligence,
his noble, chivalrous nature. And these were infinitely attractive.
There, too--it must not be concealed--they could often discern the flash
of anger, to be followed quickly by the rough speech which gave pain and
offence where a little self-control and consideration might have spared
a pang and prevented a quarrel.
Public-domain text, read in full here on John Shaqi.
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