They were pleased with the Mormons. They would have been pleased with
any whites who would not cheat them, nor sell them whiskey, nor whip
them for their poor gypsy habits, nor conduct themselves indecently
toward their women, many of whom among the Pottawottomis--especially
those of nearly unmixed French descent--are singularly comely, and some
of them educated. But all Indians have something like a sentiment of
reverence for the insane, and admire those who sacrifice, without
apparent motive, their worldly welfare to the triumph of an idea. They
understand the meaning of what they call a great vow, and think it the
duty of the right-minded to lighten the votary's penance under it. To
this feeling they united the sympathy of fellow-sufferers for those who
could talk to them of their own Illinois, and tell the story of how they
also had been ruthlessly expelled from it.
Their hospitality was sincere, almost delicate. Fanny le Clerc, the
spoiled child of the great brave Pied Riche, interpreter of the nation,
would have the paleface Miss Devine learn duets with her on the guitar;
and the daughter of substantial Joseph la Framboise, the United States
interpreter for the tribe (she died of the fever that summer) welcomed
all the nicest young Mormon women to a party at her father's house,
which was probably the best cabin in that village. They made the Mormons
at home, there and elsewhere. Upon all their lands they formally gave
them leave to remain as long as suited their own good pleasure.
The affair, of course, furnished material for a solemn council. Under
the auspices of an officer of the United States their chiefs were
summoned, in the form befitting great occasions, to meet in the yard of
a Mr. P.A. Sarpy's log trading-house. They came in grand costume, moving
in their fantastic attire with so much _aplomb_ and genteel measure that
the stranger found it difficult not to believe them high-born gentlemen,
attending a fancy-dress ball. Their aristocratically thin legs, of which
they displayed fully the usual Indian proportion, aided this illusion.
There is something too at all times very mock-Indian in the theatrical
French millinery tie of the Pottawottomi turban; while it is next to
impossible for a sober white man, at first sight, to believe that the
red, green, black, blue, and yellow cosmetics, with which he sees such
grave personages so variously dotted, diapered, cancelled, and
arabesqued are worn by them in any mood but one of the deepest and most
desperate quizzing. From the time of their first squat upon the ground
to the final breaking up of the council circle they sustained their
characters with equal self-possession and address.
Public-domain text, read in full here on John Shaqi.
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