Once, while ascending the upper Mississippi in the autumn, when its
waters were low, I was compelled to travel by land past the region of
the rapids. My road lay through the "Half-Breed Tract," a fine section
of Iowa, which the unsettled state of its land titles had appropriated
as a sanctuary for coiners, horse thieves, and other outlaws. I had left
my steamer at Keokuk, at the foot of the Lower Fall, to hire a carriage,
and to contend for some fragments of a dirty meal with the swarming
flies, the only scavengers of the locality. From this place to where the
deep water of the river returns, my eye wearied to see everywhere
sordid, vagabond, and idle settlers, and a country marred, without being
improved, by their careless hands.
I was descending the last hillside upon my journey, when a landscape in
delightful contrast broke upon my view. Half encircled by a bend of the
river, a beautiful city lay glittering in the fresh morning sun; its
bright new dwellings set in cool green gardens ranging up around a
stately dome-shaped hill which was crowned by a noble marble edifice
whose high tapering spire was radiant with white and gold. The city
appeared to cover several miles; and beyond it, in the background,
spread a fair rolling country, checkered by symmetrical lines of
fruitful husbandry. The unmistakable evidences of industry, enterprise,
and educated wealth, everywhere, made the scene one of singular and most
striking beauty.
It was a natural impulse to visit this inviting region. I procured a
skiff and rowing across the river landed at the principal wharf of the
city. No one met me there. I looked, and saw no one: I heard no
movement: though the stillness everywhere was such that I heard the
flies buzz, and the ripples break against the shallows of the beach. I
walked through the solitary streets. The town lay as in a dream, under
some deadening spell of loneliness from which I almost feared to wake
it. Plainly it had not slept long. There was no grass growing in the
paved ways and rain had not washed away the prints of footsteps in the
dust. Yet I went about unchecked. I went into empty ropewalks,
workshops, and smithies. The spinner's wheel was idle; the carpenter had
gone from his workbench and left his sash and casing unfinished. Fresh
bark was in the tanner's vat, and the fresh chopped lightwood stood
piled against the baker's oven. The blacksmith's shop was cold; but his
coal-heap and ladling-pool and crooked water-horn were all there, as if
he had just gone off for a holiday. No workpeople, anywhere, looked to
know my errand. If I went into the gardens, clinking the wicket latch
loudly after me, to pull the marigolds, heartsease, and lady's-slippers,
and draw a drink with the water-sodden well-bucket and its noisy chain;
or, knocking off with my stick the tall, heavy-headed dahlias and
sunflowers, hunting among the beds for cucumbers and love-apples--no one
called out to me from any opened window; no dog sprang forward to bark
Public-domain text, read in full here on John Shaqi.
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