The Great ImpersonationOppenheim, E. Phillips (Edward Phillips)
General
The Great Impersonation
Oppenheim, E. Phillips (Edward Phillips)
Spy stories
The two men parted, and curiously enough Dominey was conscious that
with those few awkward words of farewell some part of the incipient
antagonism between them had been buried. Left to himself, he wandered
for some moments up and down the great, dimly lit hall. A strange
restlessness seemed to have fastened itself upon him. He stood for a
time by the dying fire, watching the grey ashes, stirred uneasily by the
wind which howled down the chimney. Then he strolled to a different
part of the hall, and one by one he turned on, by means of the electric
switches, the newly installed lights which hung above the sombre oil
pictures upon the wall. He looked into the faces of some of these dead
Domineys, trying to recall what he had heard of their history, and
dwelling longest upon a gallant of the Stuart epoch, whose misdeeds had
supplied material for every intimate chronicler of those days. When at
last the sight of a sleepy manservant hovering in the background forced
his steps upstairs, he still lingered for a few moments in the corridor
and turned the handle of his bedroom door with almost reluctant fingers.
His heart gave a great jump as he realised that there was some one
there. He stood for a moment upon the threshold, then laughed shortly to
himself at his foolish imagining. It was his servant who was patiently
awaiting his arrival.
“You can go to bed, Dickens,” he directed. “I shall not want you again
to-night. We shoot in the morning.”
The man silently took his leave, and Dominey commenced his preparations
for bed. He was in no humour for sleep, however, and, still attired in
his shirt and trousers, he wrapped a dressing-gown around him, drew a
reading lamp to his side, and threw himself into an easy-chair, a book
in his hand. It was some time before he realised that the volume was
upside down, and even when he had righted it, the words he saw had no
meaning for him. All the time a queer procession of women's faces was
passing before his eyes--Caroline, with her half-flirtatious, wholly
sentimental _bon camaraderie_; Stephanie, with her voluptuous figure
and passion-lit eyes; and then, blotting the others utterly out of his
thoughts and memory, Rosamund, with all the sweetness of life shining
out of her eager face. He saw her as she had come to him last, with that
little unspoken cry upon her tremulous lips, and the haunting appeal in
her soft eyes. All other memories faded away. They were as though they
had never been. Those dreary years of exile in Africa, the day by day
tension of his precarious life, were absolutely forgotten. His heart was
calling all the time for an unknown boon. He felt himself immeshed in a
world of cobwebs, of weakness more potent than all his boasted strength.
Then he suddenly felt that the madness which he had begun to fear had
really come. It was the thing for which he longed yet dreaded most--the
faint click, the soft withdrawal of the panel, actually pushed back by a
pair of white hands.
Public-domain text, read in full here on John Shaqi.
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