The Great Indian Epics : $b The Stories of the Ramayana and the Mahabharata
History
The Great Indian Epics : $b The Stories of the Ramayana and the Mahabharata
Epic literature, Sanskrit -- Adaptations; Heroes -- India -- Fiction; Hindu mythology -- Fiction; India -- Social life and customs -- Fiction
To this succeeds a period when the steamy miasma rises in the green
light from the rotten ground, and man and beast sicken in the malarious
atmosphere, wherein the odour of decaying vegetation mingles with the
exquisite perfume of orchids and strange flowers of the wilderness. In
the glorious sky--in mystic cloudland--appear displays of light and
colour, of subtle tints and gorgeous hues, utterly beyond description
or the artist’s cunningest skill. Watch, with fevered vision, from
the neighbourhood of one of these dark forests the rapidly shifting
cloud-phantasms, arrayed in red and gold, upon the evening sky, then
cease from marvelling at the exuberant and unbridled imaginings of the
Indian bard! Fix your attention at night upon the monstrous shapes
which hover, skulking in the background, in the flickering firelight,
listen to the unearthly wailing and stifled cries which steal through
the hideous darkness, and doubt no more the existence and doings of
gruesome Rakshasas who change their shapes at will! Learn also, at the
same time, how indispensable a god is _Agni_, who protects you through
the horrors of darkest night in the forests.
Later in the year winter smiles mildly over the enervated land and
chills the tepid air. For hours after sunrise a dense fog wraps the
primæval forest in its embrace, but when it, ghost-like, steals
silently away, it reveals the white smoke of the cottages curling
upwards into a blue unclouded sky. The sun hardly affords sufficient
warmth to the labourer in the little patch of cultivation near the hut,
and the moon looks cold and pallid: the streams begin to dwindle away;
the cascades are silent.
Such is the succession of seasons in a tropical forest-land like the
India of the Epics. And, throughout all the seasons, the forest is
enveloped in a dreamy air of depression and despondency, which peoples
the solitudes with hideous Rakshasas, but leaves no place for sporting
nymphs or dancing fairies. Life in such woodlands is real forest-life,
not like Thoreau’s delightful playing at hermit in Walden, within a
couple of miles of Concord, and in sight of a railway.
Thus far the forests; but the sublime Alps of the Indian world, tallest
and most majestic of mountains, have not been without influence upon
the feelings of the Indian poets, elevating them to lofty heights
of contemplation. And when we read what the few travellers who have
penetrated those regions have to tell us of the ineffable grandeur and
sublimity of the lone mountains, the glittering ice-fields, and the
untrodden snows of the interior, when we consider the solemn silence of
those uninhabited solitudes, we cannot wonder that the Indian poets who
had heard of them, and perhaps visited their rocky fastnesses, made of
them a land of mystery and the sporting place of their gods and Apsaras.
Public-domain text, read in full here on John Shaqi.
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