The Great Indian Epics : $b The Stories of the Ramayana and the Mahabharata
History
The Great Indian Epics : $b The Stories of the Ramayana and the Mahabharata
Epic literature, Sanskrit -- Adaptations; Heroes -- India -- Fiction; Hindu mythology -- Fiction; India -- Social life and customs -- Fiction
[94] Here is a reference to the images of gods and goddesses existing
at the period of the great war, which is both important and suggestive.
They are also referred to again in section cxiii. of the “Bhisma Parva.”
[95] Bhisma’s standard was a gold palmyra palm; Drona’s a golden altar;
Duryodhana’s an elephant wrought in gems; Arjuna carried on his car a
banner whereon was seated a gigantic ape. Each chief of note had his
own distinguishing standard or banner.
[96] This famous dialogue is too long to be dealt with in this place
and too important to be passed over altogether; so I have appended a
note on the subject, to which the reader’s attention is invited.
[97] This allusion to the Mlecchas and Aryas fighting side by side is
interesting and noteworthy. Later on, we shall have occasion to note
the presence of Rakshasas also in either army.
[98] Millions upon millions. _Vide_ section cxv. of the “Bhisma Parva.”
[99] “Then with a thousand arrows well shot, Pandu’s son Arjuna, famed
for his skill in battle, shrouded Bhisma on all sides. That arrowy net,
however, of Partha, Bhisma the son of Cantanu, baffled with an arrowy
net (of his own).... And the successive flights of arrows shot from
Bhisma’s bow were seen to be dispersed by the shafts of Arjuna. And so
the flights of arrows shot by Arjuna, cut off by the arrows of Ganga’s
son, all fell down on the ground.”--_Bhisma Parva_, section lii.
[100] It is worthy of note that Rakshasas are present in both the
Kaurava and Pandava armies.
[101] “Mahabharata, Bhisma Parva,” section lxix. That the numbers are
intended to be precise will be apparent from the following passage
which is quoted merely as a sample:--“Then Bhisma, the grandsire of the
Kauravas, struck Arjuna with seventy-seven arrows, and Drona (struck
him) with five-and-twenty, and Kripa with fifty, and Duryodhana with
four-and-sixty, and Cala with nine arrows, and Drona’s son, that tiger
among men, with sixty, and Vikarna with three arrows, and Saindhana
with nine, and Cakuni with five. And Artayani pierced Pandu’s son with
three broad-headed arrows. And though pierced on all sides by them with
sharp arrows, that great bowman, that mighty-armed (warrior) wavered
not, like a mountain that is pierced with arrows.”--_Ibid._, section
lii.
[102] “Mahabharata, Bhisma Parva,” section xiv.
[103] “Mahabharata, Bhisma Parva,” section lxxxvii.
[104] Drona, being a Brahman, it would never have done for him to have
actually died by the sword of Dhrista-dyumna. Yet this prince was born
expressly to destroy Drona--hence this attempt to reconcile Brahman
sensitiveness and pretensions with the details of the old legend.
[105] This description of Duryodhana’s death scene is based upon the
version in Mr. Talboys Wheeler’s “History of India,” vol. i. pp.
351-352, which is derived from a translation of the epic in the library
of the Asiatic Society of Bengal, supposed to have been prepared by
Prof. H. H. Wilson.
Public-domain text, read in full here on John Shaqi.
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