The Great Indian Epics : $b The Stories of the Ramayana and the Mahabharata
History
The Great Indian Epics : $b The Stories of the Ramayana and the Mahabharata
Epic literature, Sanskrit -- Adaptations; Heroes -- India -- Fiction; Hindu mythology -- Fiction; India -- Social life and customs -- Fiction
This was all! Sita the patient, faithful, loving wife was never brought
forward. The woman’s part was a quite subordinate one and was left to
the imagination of the spectators. The conquering Rama was everything;
the long-suffering Sita was forgotten on this occasion. However, the
gentle wife of Rama has a place of her own in the affectionate regard
of the people of her native land and her history is well remembered. I
have seen a picture of the car in which Sita was abducted tattooed on
the arm of an ignorant woman of the lower classes, and found on inquiry
that she knew the old old story well.
The Ram Lila I have just described was a particularly good example of
the annual celebration. Ordinarily, huge figures, stuffed with straw,
represent the demons. Rama and Lakshmana, seated on a stage, are
carried about on the shoulders of men and, after traversing the ground,
hither and thither, without any apparent object, at length set fire
to the effigies, whose combustion concludes the play, if such it can
be called; whereupon the crowds assembled to see the sport depart in
clouds of dust and smoke. Often several sets of demons and Ramas may be
seen on the same field, got up by rival parties, by different sections
of a city, or by separate villages.
It appears that there is some difficulty in getting boys to personate
Rama and his brother on the occasion of the Ram Lila festival, as it
is the popular belief that they never live to attain manhood.[48]
There is also another, if less superstitious reason for the
difficulty in question, and it is this: At the close of the festival
Rama and Lakshmana have to feast the Brahmans, and that involves
no inconsiderable outlay of money. Hence, in the somewhat lawless
border districts on the Indus, it is the usual thing for the sons of
well-to-do persons to be actually kidnapped and carried off to play
Rama and Lakshmana at the annual festival.
For ten days during the feast they are believed to be literally
possessed by the god and are worshipped as Vishnu. But the worship of
these boys creates, I was told, a curious and interesting difficulty
about the selection of Rama and Lakshmana. The two heroes were men of
the warrior caste, and so should their modern representatives be, but,
as they have divine honours paid to them during the festival, it would
not suit the Brahmans to bow down to and touch the feet of youths of
inferior caste, while even personating demigods, and so, in defiance
of history, _Brahman_ youths are generally selected to represent the
_Kshatriya_ heroes in the Ram Lila.
Public-domain text, read in full here on John Shaqi.
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