The Great Indian Epics : $b The Stories of the Ramayana and the Mahabharata
History
The Great Indian Epics : $b The Stories of the Ramayana and the Mahabharata
Epic literature, Sanskrit -- Adaptations; Heroes -- India -- Fiction; Hindu mythology -- Fiction; India -- Social life and customs -- Fiction
The scene, which was certainly strange and picturesque,
became especially lively when, towards the close of the proceedings,
the explosion of bombs and the discharge of rockets alarmed the horses
and elephants. One huge beast, carrying a European gentleman and three
ladies in a big _howdah_, was an object of interest and a cause of some
anxiety to me, for his restive and erratic movements seemed to threaten
destruction to me or to my carriage, at the least.
[Illustration:
[_To face p. 80._]
“THE TERRIBLE DEMON KING OF LANKA AND HIS NO LESS FORMIDABLE BROTHER.”
(From a photograph by W. C. Oman.)]
The proceedings commenced by Ravana’s car, wooden horses and all,
being dragged by men round the inclosure attended by the monkeys.
This was apparently a challenge to the enemy; for during the second
circumambulation a party of men, dressed in dark blue or black, who
had hitherto been kept out of sight, sprang forward to oppose Rama’s
progress. These sable warriors were terrible Rakshasas, before whom
Rama and his allies had to beat a retreat, pursued by the victors.
Before long, however, the tide of battle seemed to turn. Victory
changed sides! The Rakshasas retreated, followed by Rama and his
people. This alternate success of one party or the other was repeated
several times, apparently to prolong the proceedings, and was a most
uninteresting and childish exhibition. Whenever Rama was advancing he
was carried along discharging feeble arrows that rarely fell beyond the
line of men yoked to his car. But when the hero was retreating before
the enemy he was generally on foot, probably to obviate the necessity
of his turning his back to his foes. At length the demigods made a
furious and altogether successful onslaught. The black warriors were
supposed to have been completely exterminated. They lay stretched on
the field dead and dying for a minute or two, and then, in the most
inconsistent manner, got up and squatted on the grass to watch the
further proceedings. When Ravana’s forces were thus destroyed, a number
of fireworks were lighted all over the field. Then the fort of Lanka
was given over to the flames, and as it was well-filled with fireworks
it made a brilliant display. Next perished Kumbhakarna, similarly in
a blaze of rockets, and amidst the thunder of exploding bombs. And
last of all, the gigantic Ravana disappeared, by what to any bystander
would seem a process of spontaneous combustion. All the time the drama
lasted a regimental brass band played European music; so that Rama’s
forces may be said to have been animated to the assault of Lanka by the
soul-stirring music of European composers.
Public-domain text, read in full here on John Shaqi.
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