The Great Indian Epics : $b The Stories of the Ramayana and the Mahabharata
History
The Great Indian Epics : $b The Stories of the Ramayana and the Mahabharata
Epic literature, Sanskrit -- Adaptations; Heroes -- India -- Fiction; Hindu mythology -- Fiction; India -- Social life and customs -- Fiction
Praises of this place were cunningly circulated in Dhritarashtra’s
court, and the king suggested to the Pandavas that they might go there
for a holiday. Suspicions naturally arose in the minds of the sons of
Pandu; but there seemed to be no way of eluding the king’s proposal.
Their departure was a day of public mourning in Hastinapur, and, before
they went, Vidura found an opportunity to warn them of a plot which
had been formed to burn them to death in a house made of combustible
materials, which would be erected for their reception at Varanavartha.
To be forewarned was to be forearmed, and the Pandavas determined
to be even with their enemies. Purochana, a confidential agent of
Duryodhana’s, preceded them on their journey, and began in all haste
to construct for their reception at Varanavartha and for their ultimate
destruction by fire, the famous _house of lac_. What sort of mansion
this was we may judge from Yudhisthira’s opinion of it, expressed
confidentially to Bhima, after a critical inspection of the edifice,
on their arrival at their destination. “The enemy, it is evident, by
the aid of trusted artists, well skilled in the construction of houses,
have finely built this mansion, after procuring hemp, resin, heath,
straw and bamboos, all soaked in clarified butter.”
To escape destruction should their house be set on fire, the Pandavas
secretly caused a subterranean passage to be made leading out of the
dwelling. The work was executed by a trusty messenger, well skilled in
mining, who had been sent to their assistance by Vidura. One evening
Kunti fed a large number of Brahmans at this combustible house of
hers. After the guests were gone, the Pandavas, assuring themselves
that their enemy, Purochana, was fast asleep, quietly fastened the
doors of the house, and themselves set fire to it in several places.
As if impelled by _Fate_, a Nishada woman with her five sons had
come, uninvited guests, to Kunti’s feast, and, becoming intoxicated
with the wine of which they had partaken too freely, lay drunk
upon the premises. These six drunk and incapable persons perished
with Purochana, and their remains, found by the citizens after the
conflagration had been extinguished, left no doubt in men’s minds that
Kunti and her sons had all been miserably burnt to death.[64]
Public-domain text, read in full here on John Shaqi.
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