The Great Indian Epics : $b The Stories of the Ramayana and the Mahabharata
History
The Great Indian Epics : $b The Stories of the Ramayana and the Mahabharata
Epic literature, Sanskrit -- Adaptations; Heroes -- India -- Fiction; Hindu mythology -- Fiction; India -- Social life and customs -- Fiction
presently bestowed upon him the gift of a terrible celestial weapon,
called the Pácupata, with instructions in regard to the appropriate
_mantras_ or spells to be used with it. At that moment the whole earth,
with its mountains, plains, and rivers, trembled with excitement, a
terrible hurricane expressed the concern of nature in the important
event, and the “terrible weapon in its embodied form” stood by the
side of Arjuna ready to obey his behests. When Siva had vanished from
sight, the guardians of the four regions (_lokapalah_) Kuvera, Varuna,
Yama, and Indra appeared in great splendour upon the mountain top, and
presented Arjuna with other celestial weapons; after which he was
carried in a wondrous car to the heaven of his real father, the god
Indra. It was a glorious and delightful region, lighted with its own
inherent brilliancy, adorned with flowers of every season, fanned by
fragrant breezes and resounding with celestial music. Here there were
bands of lovely Apsaras and Gandharvas, who gladdened all hearts with
their ravishing songs and dances. It was a region for the virtuous
alone, and not for those “who had turned their back on the field of
battle.”
In this delightful place Arjuna passed five years of his life, treated
with the highest honour and consideration, learning the use of the
various celestial weapons with which he was eventually to overthrow
those redoubtable champions, Kripa and Drona, Bhisma and Karna. Nor
were lighter studies neglected. Arjuna, under a competent instructor,
became proficient in the arts of music and dancing.
That he might be made “to taste the joys of heaven,” properly, the
lovely Apsara,[78] Urvasi, of wide hips, crisp soft hair, beautiful
eyes and full bosom, was specially commanded to make herself agreeable
to Arjuna. Her sensual beauty, described in some detail by the poet,
failed, however, to subdue the hero, who met her amatory advances with
a somewhat exaggerated respect, which so enraged the fair temptress
that she cursed him, saying: “Since thou disregardest a woman come
to thy mansion at the command of thy father and of her own motion--a
woman, besides, who is pierced by the shafts of Kama,--therefore, O
Partha, thou shalt have to pass thy time among females, unregarded, and
as a dancer and destitute of manhood.”
Public-domain text, read in full here on John Shaqi.
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