The Great Invasion of 1813-14; or, After Leipzig: Being a story of the entry of the allied forces into Alsace and Lorraine, and their march upon Paris after the Battle of Leipzig, called the Battle of the Kings and NationsErckmann-Chatrian
History
The Great Invasion of 1813-14; or, After Leipzig: Being a story of the entry of the allied forces into Alsace and Lorraine, and their march upon Paris after the Battle of Leipzig, called the Battle of the Kings and Nations
Erckmann-Chatrian
France -- History -- Invasion of 1814 -- Fiction; French fiction -- Translations into English
In Grandfontaine they destroyed everything they could lay their hands
on, out of a spirit of revenge; they smashed the windows and doors,
insulted the inhabitants, demanded to be supplied with food and drink
on the spot, and outraged the women. Their shouts, their imprecations,
the authoritative commands of their leaders, the complaints of the
citizens, the heavy, incessant tread of footsteps on the bridge of
Framont, the shrill neighings of the wounded horses, all reached the
barricades in one confused, mingled sound.
On the mountain-side nothing was to be seen but arms, shakos, and dead
bodies; in short, all the signs of a great defeat. Opposite appeared
the cannons taken by Marc Divès, pointed over the valley, and ready to
fire in case of a fresh attack.
All was then over--quite over. And yet not a single cry of triumph rose
from the entrenchments. The losses the mountaineers had sustained in
this last assault had been too severe and cruel. There was something
solemn in this deep silence succeeding to the tumult; and all those
men who had escaped the carnage looked at one another with grave faces
as if they were surprised at seeing each other. Some called to a
friend, others to a brother, who did not answer. They would then begin
to search in the trench, along the barricades, or on the ascent, crying
as they did it, "Ho! Jacob, Philip!--is it you?"
And then night came, and its grey shadows spread over entrenchments and
abyss, adding the horror of mystery to scenes already terrible enough.
Materne, after having wiped his bayonet, called his sons to him in
hoarse accents:
"Ho! Kasper! Frantz!"
And seeing forms approaching in the darkness, he began to ask:
"Is it you?"
"Yes, it is us."
"Nothing wrong with you?"
"No."
The old huntsman's voice, usually so rough, trembled like a woman's.
"Here we are all three, then, together again!" said he, in a low tone.
And he, whom no one had ever accused of being softhearted, bestowed
a hearty embrace upon his sons, who were greatly surprised by his
emotion. They heard a sound in his breast as of inward sobbing; they
were much moved by it, and said to themselves: "How he loves us! We
should never have believed this!"
They themselves felt touched to the very quick.
But in a short time, the old man, recovering himself, exclaimed:
"All the same, this has been a tough day's work, boys. Let us go and
have a cup of wine, for I'm thirsty."
Then casting a last look on the gloomy scene, and seeing the sentinels
which Hullin, as he went by, had just posted at every thirty paces,
they proceeded together towards the old farm.
They were crossing the trench, where the dead lay in heaps, lifting
their feet whenever they felt them come in contact with anything soft,
when they heard a stifled voice say:
"Is that you, Materne?"
"Ah, my poor old Rochart!--pardon, pardon!" replied the old huntsman,
stooping down. "I touched you. What! are you there still?"
"Yes, I cannot move, for I have lost my legs."
Public-domain text, read in full here on John Shaqi.
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