Orléanais, in reply to this anathema, struck the duke of Burgundy and his adherents with excommunication. The archbishop of Sens, the bishops of Paris, Orléans, and Chartres, with several doctors of this age of ignorance, had dictated this dreaded decree. It was thus they sported with religion to justify the horrors committed on both sides. Every festival, the curés of Paris interrupted the sacrifice of the mass, to renew the thunders launched against the Armagnacs; they even made a difficulty of administering baptism to the children of those they believed favourable to that party. People did not dare to appear in the streets without the red scarf and the cross of St. Andrew. Priests wore them at the altar; the church pictures were decked with them; not even children newly born were exempt from displaying this distinctive mark of the dominant faction. They carried the madness so far as to make the sign of the cross according to the form of the crucifixion of St. Andrew. The people murmured at being shut up within the walls, whilst the enemy triumphed at their gates; seditious cries announced that they wanted to fight; and it became necessary to obey this blinded populace. The count de St. Paul and the prevôt Des Essarts, at the head of a detachment of Parisians, badly armed and without order, made a sortie by the gate of St. Denis; they were beaten, although six times more numerous than their adversaries, and precipitately re-entered the city by the gate St. Honoré, after having lost four hundred of their men. This humiliating disgrace completed the despair of the vanquished: in a transport of rage, they made a second sortie from the other side of the city. Goi, one of the officers of militia, led them to the castle of Wicestre (now Bicêtre), a pleasure-house, which the duke de Berry prided himself with having ornamented with all the embellishments the art of that age could furnish. As no troops appeared to stop these contemptible warriors, they gave free way to the madness which governed them: the gates of this palace were broken open; they plundered the valuable furniture; they even took away the glass windows, which were then an object of luxury reserved for the houses of the great. This brutal expedition was crowned by the firing of the building. Among the inestimable loss caused by the conflagration, persons of taste particularly regretted a chronological series of the portraits of the kings of France of the third race, most of them original.