“I want to ask you some things,” I said. “It might pay you to answer
them.”
She lingered still a little; then I heard the chain grate stealthily
in its socket, a lean talon shot out, and the next moment I was clawed
into the passage, and the door slammed to behind me. A faint shout of
laughter pursued me into the fastness.
It was close twilight within, filthy, noxious, indescribable. The
narrow hall was bare of everything but stench and decay; the room into
which the old horror motioned me was similarly furnished, but with
first causes more in evidence. When, very cautiously, she had unbarred
the window-shutters and let in a grudging thread of light, I was made
conscious of the fact. There were a table here and a tattered chair or
two, the stuffing of the latter rank from the contact of unclean
generations. There were also piles of refuse, in the corners, under
the rusty grate, dropping from a disembowelled cupboard, burst with
its own noisome surfeit. The walls, hung with old daguerreotypes, old
tinted lithographs, old records of a faded past--all in mouldering
frames, and all, it appeared, illustrative of the one-time graces of a
single simpering personality--were the cleanest places to be seen.
Bugs were the _élite_ of Number six Old Paradise Street.
I felt utterly stupefied--bowled over by the shock of my surroundings.
For the moment I could only gasp and suffer, until a violent fit of
sneezing came to my relief. The old woman, standing before me, softly
pawed at my waistcoat during the paroxysm, peering up into my face.
Water and she were long strangers; a mildewed cap she wore, tied under
her chin, seemed to have grown on her like a fungus on a tree stump;
her dress was of the complexion and savour of tobacco rag. She was a
_mignonne_ small-boned creature, and might even once--the Lord forgive
me--have been pretty. Even now, old thread of fustiness as she was,
there was an indescribable trick of jauntiness in her conduct of her
creaking old body; and the frisky shuffle of her feet, in their
mouldering slippers, seemed sometimes suggestive of a sort of St
Vitus’s ballet dance.
She was taken with a rending fit of coughing while she held me. It
seemed to rattle in her like the plaster inside crumbling walls where
the rats are busy.
“So you’re Richard Gaskett, O the devil,” she said, when she could
gasp out a word at length. “And you’ve come to look up your old
grandma, eh?”
I had not regarded it in that light, and I was fain to tell her so. I
had come to visit Mother Carey. She started on the word, and a sudden
terror flew to her eyes.
“Who’s your mammy?” she cried shrilly, stepping back. “Tell me--quick,
now.”
“Lady Skene is my mother,” I said.
“Ah!”
Her self-confidence returned. It had struck her, “all of a heap,” how
she might have been beguiled into admitting some villain with a design
on her hoardings. She approached me again, curiously.
Public-domain text, read in full here on John Shaqi.
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