The Great War of 189-: A ForecastForbes, Archibald
History
The Great War of 189-: A Forecast
Forbes, Archibald
Imaginary wars and battles; Science fiction
First, leaping in a frantic dance such as one sees here at weddings and
religious festivals, came some score of sayces, their lawn sleeves
flaunting as they waved their arms, and their gold-broidered waistcoats
gleaming bravely in the moonlight. Their usual cry of ‘_Shmarlek,
Gemeelek_,’ was interrupted now by hoarse shouts of ‘Inglis, Inglis,
long live the Inglis!’—shouts which the crowd readily took up.
Immediately behind them paced a tall, half-naked negro, who—such is the
length to which enthusiasm will carry these fanatics—held outstretched
before him (a sacrifice to friendship), his brawny right arm transfixed
by a long knife, from whose blade his blood dripped freely to the
ground. A carriage followed—an ordinary hack victoria, captured,
doubtless, close by—round which a frenzied mob surged, yelling and
gesticulating madly. There was no driver on the carriage. The box-seat
was occupied by a mandolin player and a harpist, whose fingers were very
busy, though of their music not one note could be heard. In the victoria
were the objects of the demonstration, two English soldiers, one of
whom, while preserving his good temper, was struggling manfully though
vainly against a dozen pair of hands that held him in his place, and
loudly declaring in words as unavailing as they were forcible that he
was due in barracks at midnight and could not ‘stay fooling’ any later.
His protest was disregarded, and his comrade, who had apparently
succumbed to the hospitality of a burly Greek who faced the pair, on the
Strapontin, nursing a huge demijohn of some pernicious liquor, gave him
no help, expressing neither approval nor condemnation of the
proceedings, and, indeed, but for the tender ministrations of an old
äalem in a saffron robe, who stood on the step beside him, he would
probably have fallen out into the road.
The motley carnival passed slowly into the night; the shouts softened in
the distance and then died away; but the crowd, silent again, remained
staring vacantly at the hotel windows. As I turned from the balcony
railings a quiet native spectator on the pavement beneath me looked up
and spoke in Arabic: ‘Ah, Hawaga,’ he said, ‘Toufik Pasha has gone;
Allah rest him! Now the English are going—evil days are coming.’
Public-domain text, read in full here on John Shaqi.
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