The Great White Hand; Or, the Tiger of Cawnpore: A story of the Indian MutinyMuddock, J. E. (Joyce Emmerson)
History
The Great White Hand; Or, the Tiger of Cawnpore: A story of the Indian Mutiny
Muddock, J. E. (Joyce Emmerson)
Anglo-Indian fiction; India -- History -- Sepoy Rebellion, 1857-1858 -- Fiction; Kanpur (India) -- Fiction
He felt that his power was destroyed. Failure, defeat, ruin, had
followed with rapid strides on the glittering pageant which had marked
his restoration to the Peishwahship. Deserted by his followers, his
wealth gone, he was but a flying outcast. His one thought was to get
away from the pursuing Englishmen. His terror-stricken mind pictured a
vast band of avengers on his track.
He reached his Palace. Its splendour had gone, his very menials
reproached him for his failure. As he entered the magnificent “Room of
Light,” he was met by Azimoolah.
The Sybaritic knave had been luxuriating amidst all the wealth and
splendour of this gorgeous apartment, while the Nana’s army was being
hacked to pieces by the avenging Feringhees.
As the fear-stricken fugitive entered, the mechanical birds were
warbling their cheerful notes, and a large Swiss musical-box was
playing, with the accompaniment of drums and bells, “See the Conquering
Hero comes.” It was the very irony of fate. It seemed as if it had been
done purposely to mock him.
He strode over to the magnificently carved table upon which the box
stood, and, drawing his tulwar, dealt the instrument a terrific blow,
that almost severed it in halves; then he sank on to a couch, and
burying his face in his hands, rocked himself, and moaned.
“Your Highness is troubled,” Azimoolah remarked softly, his composure
not in the least disturbed by the Nana’s display of fury. “Why should
you give way like this?” he continued, as he received no reply to his
first remark. “Despair is unworthy of a prince. All is not yet lost.
Rouse yourself, show a dauntless mien, and we will yet beat these
English back.”
The Nana started from the couch, his face livid with passion, so that
Azimoolah shrank back in alarm, for cruel natures are always cowardly,
and it was coward matched to coward.
“Curse you for mocking me!” the Nana cried, raising both his hands
above his head. “Curse you for luring me to destruction! May you rot
living! May you wander a nameless outcast--without shelter, without
home, fearing every bush, trembling at every rustle of a leaf, and with
every man’s hand against your life. If I had not listened to you I
should not have fallen. Curse you again! May every hope of Paradise be
shut out for you.”
He fell into his seat again, overpowered by the exertion this outburst
had caused him.
Azimoolah was a little disconcerted, but he tried not to show it.
With one hand on the handle of a jewelled dagger, that was hidden
in the folds of his dress, and his other hand playing with a lace
handkerchief, he crossed quietly to where the Nana was seated, and said
with withering sarcasm--
“Your Highness is a little out of sorts, and my presence is not
required; but I may be permitted to remind your Highness that ‘curses,
like chickens, return to roost.’”
With a smile of scorn upon his lips he passed out of the room, and the
fallen Mahratta was alone.
Public-domain text, read in full here on John Shaqi.
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