The great white way;: a record of an unusual voyage of discovery, and some romantic love affairs amid strange surroundingsPaine, Albert Bigelow
Science
The great white way;: a record of an unusual voyage of discovery, and some romantic love affairs amid strange surroundings
Paine, Albert Bigelow
Science fiction
But we have reached the Prince’s palace. It is a succession of wonderful
terraces, beginning at the river front, and extending back to the hills
behind it. Each terrace is supported by a row of slender columns, and on
the outer edge of each a carved railing leads to a graceful outside
stairway that ascends from one step of flowers to the next. At the
summit, on a level with the hills, the last step forms a round
colonnaded eyrie, on the top of which the sun still lingers. Along the
terraces are groups of waiting people who, as we approach, wave
tranquilly their white arms to the Prince. Their dress and attitudes
suggest some dim, forgotten land of the East. Us they regard with placid
curiosity, yet with a gentle friendliness evident in their faces.
Now, from the wide portal of the lower story, come many down the broad,
white steps to greet us. Young are they all, and beautiful—creatures of
an unknown world, while from either side troop bare-armed boys and
girls, chanting a low, rhythmic melody of welcome.
So are we come at last to the land of my fancy. And a land of fancy
indeed it seems to us. A harbor for vanished argosies and forgotten
dreams. A port for lost rhymes and strayed melodies—for discarded magic
and alchemies long dead. And it is in this enchanted vale that we find
once more the shelter of human habitation.
We shall rest to-night with the Prince of the Purple Fields.
[Illustration:
THE PALACE OF THE PRINCE.
“A harbor for vanished argosies and forgotten dreams.”—Page 242.
]
XXIX.
A LAND OF THE HEART’S DESIRE.
Oct. 12. This is the land of harmony. Here, shut in from the outer world
by the crystal walls of the ages, rhythmic vibrations of the universe
have blossomed in a fair, frail, almost supernatural life. Here the
ideals of Ferratoni are the realities of the daily round, while the
dreams of Edith Gale are but as the play language of little children.
Here, shut away from the greed and struggle of the life we know—few in
numbers and simple in their material needs, fragile and brief in their
span of physical existence and plunged for half the year into a sunless
period of contemplation—the lives of the people have linked themselves
with the sun and stars, with the woods and fields, with the winds and
waters, and with each other, in one rare, universal chord.
It is the natural result of the long periods of sun and darkness. The
polar night binds them in closer sympathy, even as it did those of the
Billowcrest, while during the long sunny day they have only to bask in
the sun and dream, and let the fecund soil provide amply for their
wants. There is no need of struggle—no effort, save to retain life, if I
may apply that term to this languorous melody of existence wherein
greed, jealousy, vanity and the other elements of discord find no place.
Public-domain text, read in full here on John Shaqi.
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