The great white way;: a record of an unusual voyage of discovery, and some romantic love affairs amid strange surroundingsPaine, Albert Bigelow
Science
The great white way;: a record of an unusual voyage of discovery, and some romantic love affairs amid strange surroundings
Paine, Albert Bigelow
Science fiction
They were near enough now for us to see that Ferratoni’s face was
lighted with smiles, and that the Princess, too, looked very happy.
“It is hardly that, yet,” I said, “but I think we need not be surprised
at anything. Though such an alliance, I suppose, would require some
special dispensation or sanction of the sun.”
“Yes,” assented Gale, “and, by the way, Nick, who is that little
yellow-haired girl that is setting up to you—the one that sings a good
deal and plays on that little bandolin arrangement—and that other one,
Bill, that dark-eyed one who walks about with you so much, holding
hands, and wondering how old you could live to be, if you really tried?”
I made no immediate reply, and Mr. Sturritt showed languid confusion.
“I—that is——” he began, “she—she is——”
“I think,” I interposed, “she is a cousin to that very delightful little
auburn-haired creature, who sits all day at the feet of our Admiral,
listening to “How Doth the Little Busy Bee” and “Twinkle, Twinkle,
Little Star.”
“Nick,” said Gale, “if anything should happen that we ever did get out
of this snap, and back to—to people—the yacht, and Biff, and Johnnie, I
mean—I suppose it would be just as well not to mention some of the
things that happen down here. They wouldn’t quite understand the
conditions, you see—the—the atmosphere, as the artists say—the poetry of
it, you know. You wouldn’t want to say anything, yourself——”
He was interrupted at this point by the arrival on our terrace of the
singing children. I had no opportunity to reply, but I did not at once
join very heartily in the ceremonies.
The latter were very simple, and consisted of little more than a
continuance of the marching and singing, with a pause at short intervals
to shout a great pæan to their divinity. Then there ensued a wonderfully
graceful dance, and after this a marvellous floral decoration of the
entire temple, within and without. In this the Princess took but a brief
initiatory part, and presently, when the upper terrace was finished,
most of her followers descended to the work below, leaving with her only
her ladies-in-waiting, a few gentlemen of the court, and ourselves.
We reclined among the flowers, and for a time there was a silence,
broken only by the distant singing voices of those still busy below. It
seemed a sort of benediction after the offering, and then for some
reason there came upon me a feeling like that when at the opera the
curtain descends and the chorus dies into the distance; the feeling that
something is over and completed—that something new and different is
about to begin.
XXXIII.
THE TOUCH OF LIFE.
Public-domain text, read in full here on John Shaqi.
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