New York (N.Y.) -- Social life and customs -- Fiction
Did she suspect it? I think not--then. He was wrapped in her impervious
faith... The papers? Oh, their charges were set down to political
rivalry; and the only people she saw were his hangers-on, or the
fashionable set who had taken him up for their amusement. Besides,
she would never have found out in that way: at a direct accusation her
resentment would have flamed up and smothered her judgment. If the
truth came to her, it would come through knowing intimately some
one--different; through--how shall I put it?--an imperceptible shifting
of her centre of gravity. My besetting fear was that I couldn’t count on
her obtuseness. She wasn’t what is called clever; she left that to
him; but she was exquisitely good; and now and then she had intuitive
felicities that frightened me. Do I make you see her? We fellows can
explain better with the brush; I don’t know how to mix my words or lay
them on. She wasn’t clever; but her heart thought--that’s all I can
say...
If she’d been stupid it would have been easy enough: I could have
painted him as he was. Could have? I did--brushed the face in one day
from memory; it was the very man! I painted it out before she came:
I couldn’t bear to have her see it. I had the feeling that I held her
faith in him in my hands, carrying it like a brittle object through a
jostling mob; a hair’s-breadth swerve and it was in splinters.
When she wasn’t there I tried to reason myself out of these subtleties.
My business was to paint Vard as he was--if his daughter didn’t mind his
looks, why should I? The opportunity was magnificent--I knew that by
the way his face had leapt out of the canvas at my first touch. It would
have been a big thing. Before every sitting I swore to myself I’d do it;
then she came, and sat near him, and I--didn’t.
I knew that before long she’d notice I was shirking the face. Vard
himself took little interest in the portrait, but she watched me
closely, and one day when the sitting was over she stayed behind and
asked me when I meant to begin what she called “the likeness.” I guessed
from her tone that the embarrassment was all on my side, or that if she
felt any it was at having to touch a vulnerable point in my pride. Thus
far the only doubt that troubled her was a distrust of my ability. Well,
I put her off with any rot you please: told her she must trust me, must
let me wait for the inspiration; that some day the face would come;
I should see it suddenly--feel it under my brush... The poor child
believed me: you can make a woman believe almost anything she doesn’t
quite understand. She was abashed at her philistinism, and begged me not
to tell her father--he would make such fun of her!
Public-domain text, read in full here on John Shaqi.
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