The Greatest English Classic: A Study of the King James Version of the Bible and Its Influence on Life and LiteratureMcAfee, Cleland Boyd
Religion
The Greatest English Classic: A Study of the King James Version of the Bible and Its Influence on Life and Literature
McAfee, Cleland Boyd
Bible -- History; Bible -- Influence; Bible and literature; Bible. English -- Versions -- Authorized
As literature, however, apart from its religious connection, it is subject
to any of the criteria of literature. In so far it is the fair subject of
criticism. It must stand or fall when it enters the realm of literature by
the standards of other books. Indeed, many questions regarding its dates,
the authorship of unassigned portions, the meaning of its disputed
passages may be answered most fairly by literary tests. That is always
liable to abuse; but literary tests are always liable to that. There have
been enough blunders made in the knowledge of us all to require us to go
carefully in such a matter. The Waverley Novels were published
anonymously, and, while some suspected Scott at once, others were entirely
clear that on the ground of literary style his authorship was entirely
impossible! Let a magazine publish an anonymous serial, and readers
everywhere are quick to recognize the writer from his literary style and
his general ideas, but each group "recognizes" a different writer.
Arguments based chiefly on style overlook the large personal equation in
all writing. The same writer has more than one natural style. It is not
until he becomes in a certain sense affected--grows proud of his
peculiarities--that he settles down to one form. And it is quite
impossible to assign a book to any narrow historical period on the ground
of its style alone. But though large emphasis could be laid upon the
literary merits of the Bible to the obscuring of its other more important
merits, it is yet true that from the literary point of view the Bible
stands as an English classic, indeed, as the outstanding English classic.
To acknowledge ignorance of it is to confess one's self ignorant of our
greatest literary possession.
Public-domain text, read in full here on John Shaqi.
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