Israel, and that I am thy servant, and that I have done all these things at thy word. Hear me, O Lord, hear me, that this people may know that thou art the Lord God, and that thou hast turned their heart back again. Then the fire of the Lord fell, and consumed the burnt sacrifice, and the wood, and the stones, and the dust, and licked up the water that was in the trench. And when all the people saw it, they fell on their faces: and they said, The Lord, he is the God; the Lord, he is the God." That is not simply a dramatic event; that is a striking telling of it. It is more than a narrative. In narrative literature the scene is accepted as already constructed. In dramatic literature such appeal is made to the imagination that the reader reconstructs the scene for himself. We are not told in this how Elijah felt, or how he acted, nor how the people as a whole looked, nor the setting of the scene; but if one reads it with care it makes its own setting. The scene constructs itself. The dramatic style does not prevail at most important points of the Scripture, because it is a fictitious style for the presenting of truth. It inevitably suggests superficiality. Things actually do not happen in life as they do in drama. One of our latest biographers says that a scientific historian is always suspicious of dramatic events.[26] They may be true, but they are more liable to be afterthoughts, like the bright answers we could have made to our opponents if we had only thought of them at the time. You never lose the sense of unreality in the very construction of a drama. Life cannot be crowded into two or three hours, and justice does not come out as the drama makes it do. So that at most important points of the Scripture dramatic writing does not appear. The account of the carrying away into captivity of the children of Israel is at no point dramatic, though you can see instantly what a great opportunity there was for it. It is simply narrative. It is noticeable that none of the accounts of the crucifixion is at all dramatic. They are all simply narrative. The imagination does not immediately conjure up the scene. There may be two reasons for that. One is that there are involved several hours in which there is no action recorded. The other is that by the time the accounts were written the actual events were submerged in importance by their unworded meaning. The account of the conversion of Paul, on the other hand, brief as it is, has at least minor dramatic elements in it. On the whole, the Old Testament is far more dramatic than the New.