The Greatest Heiress in EnglandOliphant, Mrs. (Margaret)
General
The Greatest Heiress in England
Oliphant, Mrs. (Margaret)
England -- Fiction; Inheritance and succession -- Fiction
Sir Thomas opened his eyes wide. “Ah, I see! you took what I said _au
pied de la lettre_,” he said, with languid contempt. Now the executor
was little experienced in the French or any foreign tongue, and he did
not know what the foot of the letter meant. He cried, “Oh, no, not at
all!” apologetically, shocked by his own boldness; and went away
bewildered all round, and much troubled in his mind about the stability
of the Rainy estate. Mr. Chervil was the most honorable of trustees--his
own interest had nothing at all to do with his opposition. But
prodigality in business matters was, to him, the master sin, above all
those of the Decalogue. There was, indeed, no commandment there which
ordained, “Thou shalt not waste thy money, or give it injudiciously
away.” But Mr. Chervil felt that this was a mere oversight on the part
of the great lawgiver, and one which prudent persons had a right to
amend on their own account. Mr. Chervil, who here felt an unexpressed
confidence that he was better informed (on matters of business) than the
Almighty, was very sure that he knew a great deal better than old
Trevor. He scouted the old man’s ideas as preposterous. That craze of
his about _giving it back_ was evident madness. Give it back! the thing
to be done was exactly the contrary. He himself knew the way of doubling
every pound, and building up the great Rainy fortune into proportions
colossal and magnificent. But he did not think of any advantage to
himself in all this. He was quite content that it should be the little
sedate figure of the girl which should be raised, ever higher and higher
into the blazing heaven of wealth upon that golden pedestal, heaped with
new and ever-renewed ingots. And not only was this, his ambition,
perfectly honest, but there was even in a way something visionary in it,
an ideal, something that stood in the place of poetry and art to Mr.
Chervil. It was his way of identifying the highest good, the most
perfect beauty.
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