The greatest story in the world, period 2 (of 3) : $b The further story of the Old World up to the discovery of the NewHutchinson, Horace G. (Horace Gordon)
History
The greatest story in the world, period 2 (of 3) : $b The further story of the Old World up to the discovery of the New
Hutchinson, Horace G. (Horace Gordon)
World history
Certainly many of the adventures of which the stories tell us cannot
be believed. The knights slay for us such creatures of fairy-tale as
dragons and the like. But still there is no reason why something of
the kind may not have been true. We have to imagine a country thinly
populated and cultivated only in parts. We have to remember, too,
that these knights, and their horses also, were covered with armour,
so that no weapons of the villeins or men of low degree could hurt
them much. Moreover, the reputation of the knights made them very
bold against the men of less degree, and made those men of humbler
class the more timid and humble. Therefore it is not altogether
beyond belief that there may have been much of this going about from
castle to castle by wandering knights in armour, and the wastes and
woodlands were wild places, where wild beasts and yet wilder outlawed
men might be met with. The tales of the minstrels had some
foundation; but it is probable that what they were interested in was
not so much to tell their audience true stories, as to tell them
stories which should amuse them and thrill them.
That is the kind of story that the singers of England, Germany, and
Northern France told; but the singers of the south of France, the
troubadours of the Langue d'oc, were not so much singers or tellers
of stories, as singers of love songs. They could sing hymns of hate,
too, against those whom they disliked, and this gave several of them
much power. Some were of high rank. They went from castle to
castle, providing entertainment in return for the amusement and
delight which their verses gave. Remember that the castles were
poorly lighted, after dark, that there were few books and few people
able to read what books {157} there were, and you may realise that
the troubadour would be very welcome.
[Sidenote: Troubadours, etc.]
"Troubadour" and "trouvère" are both from the French root which we
still see in French "trouver," "to find." They were finders or
inventors of songs and stories. With them, in their company
sometimes, travelled a lower class of musician and entertainer, who
did conjuring tricks, played antics, as well as performing on musical
instruments. He was called a "joglar," or "jocular," a joking
person. Our modern form of the word is "juggler."
With these shows and performances of the minstrels and the juggler,
and with dancing, wrestling, and cruel sport like bear-baiting and
cock-fighting, the people passed their leisure.
[Illustration: RICHARD CŒUR-DE-LION'S PRISON AT TRIEFELS, RHENISH
BAVARIA.]
Public-domain text, read in full here on John Shaqi.
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