Orators -- Greece; Oratory, Ancient; Speeches, addresses, etc., Greek -- History and criticism
In Alexandria, on the other hand, to take one typical example, there was
no such unity. Among the Greek inhabitants there were many classes—the
court-circle, the scholars of the Museum, the merchants, the mercenary
troops, all with different aims and occupations; and these formed but
a minority. In addition there would be thousands of Jews, Egyptians,
Phoenicians, Mesopotamians, and others, to whom Greek was at first
a foreign language, and who when they had acquired it spoke, in the
κοινή, a dialect corrupted by innumerable foreign elements. Thus, though
scholarship persisted and flourished, there must always have been a sharp
distinction between the lettered classes and the common people.
Oratory, like all other arts, faded away in Athens after Alexander’s
death, partly from the general causes indicated, partly on account of the
special conditions of Athenian life.
Forced to submit to Antipater in 322 B.C., Athens was allowed to exist
on humiliating terms. She received a Macedonian garrison into Munychia,
the democracy was overthrown; 12,000 of the poorer citizens were not only
disfranchised but expatriated, and an oligarchy was instituted. Five
years later a temporary revival occurred, when Polysperchon (317 B.C.)
overthrew the oligarchy; but a few months after this Cassander obtained
possession of the city and again established a government on narrower
lines, installing as governor a man of great erudition and culture,
Demetrius of Phalerum. This Demetrius, though practically a satrap of
Cassander, governed the city wisely for ten years; but in 307 B.C. he
fled before the approach of Demetrius Poliorcetes, son of Antigonus. The
Besieger made a proclamation of freedom, which the Athenians by this
time were unworthy to enjoy; they ascribed to him divine honours, and in
301 B.C. he took up his quarters in the Parthenon. No wonder that Pallas
Athene fled in disgust when her shrine was polluted by the licentious
orgies of this new war-god.
Public-domain text, read in full here on John Shaqi.
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