Nor is it only the personality of Socrates that has been so variously conceived; his philosophy, so far as it can be separated from his life, has equally given occasion to conflicting interpretations, and it has even been denied that he had, properly speaking, any philosophy at all. These divergent presentations of his teaching, if teaching it can be called, begin with the two disciples to whom our knowledge of it is almost entirely due. There is, curiously enough, much the same inner discrepancy between Xenophon’s _Memorabilia_ and those Platonic dialogues where Socrates is the principal spokesman, as that which distinguishes the Synoptic from the Johannine Gospels. The one gives us a report certainly authentic, but probably incomplete; the other account is, beyond all doubt, a highly idealised portraiture, but seems to contain some traits directly copied from the original, which may well have escaped a less philosophical observer than Plato. Aristotle also furnishes us with some scanty notices which are of use in deciding between the two rival versions, although we cannot be sure that he had access to any better sources of information than are open to ourselves. By variously combining and reasoning from these data modern critics have produced a third Socrates, who is often little more than the embodiment of their own favourite opinions. In England, the most generally accepted method seems to be that followed by Grote. This consists in taking the Platonic _Apologia_ as a sufficiently faithful report of the defence actually made by Socrates on his trial, and piecing it on to the details supplied by Xenophon, or at least to as many of them as can be made to fit, without too obvious an accommodation of their meaning. If, however, we ask on what grounds a greater historical credibility is attributed to the _Apologia_ than to the _Republic_ or the _Phaedo_, none can be offered except the seemingly transparent truthfulness of the narrative itself, an argument which will not weigh much with those who remember how brilliant was Plato’s talent for fiction, and how unscrupulously it could be employed for purposes of edification. The _Phaedo_ puts an autobiographical statement into the mouth of Socrates which we only know to be imaginary because it involves the acceptance of a theory unknown to the real Socrates. Why, then, may not Plato have thought proper to introduce equally fictitious details into the speech delivered by his master before the dicastery, if, indeed, the speech, as we have it, be not a fancy composition from beginning to end?