consecration of self-conscious mind. There had, simultaneously, been growing up an intensely patriotic sentiment, due, in part, to the long-continued independence of Attica; in part, also, we may suppose, to the union, at a very early period, of her different townships into a single city. The same causes had, however, also favoured a certain love of comfort, a jovial pleasure-seeking disposition often degenerating into coarse sensuality, a thriftiness, and an inclination to grasp at any source of profit, coupled with extreme credulity where hopes of profit were excited, together forming an element of prose-comedy which mingles strangely with the tragic grandeur of Athens in her imperial age, and emerges into greater prominence after her fall, until it becomes the predominant characteristic of her later days. It is, we may observe, the contrast between these two aspects of Athenian life which gives the plays of Aristophanes their unparalleled comic effect, and it is their very awkward conjunction which makes Euripides so unequal and disappointing a poet. We find, then, that the original Athenian character is marked by reasonable reflection, by patriotism, and by a tendency towards self-seeking materialism. Let us take note of these three qualities, for we shall meet with them again in the philosophy of Socrates. Empire, when it came to Athens, came almost unsought. The Persian invasions had made her a great naval power; the free choice of her allies placed her at the head of a great maritime confederacy. The sudden command of vast resources and the tension accumulated during ages of repose, stimulated all her faculties into preternatural activity. Her spirit was steeled almost to the Dorian temper, and entered into victorious rivalry with the Dorian Muse. Not only did her fleet sweep the sea, but her army, for once, defeated Theban hoplites in the field. The grand choral harmonies of Sicilian song, the Sicyonian recitals of epic adventure, were rolled back into a framework for the spectacle of individual souls meeting one another in argument, expostulation, entreaty, and defiance; a nobler Doric edifice rose to confront the Aeginetan temple of Athênê; the strained energy of Aeginetan combatants was relaxed into attitudes of reposing power, and the eternal smile on their faces was deepened into the sadness of unfathomable thought. But to the violet-crowned city, Athênê was a giver of wealth and wisdom rather than of prowess; her empire rested on the contributions of unwilling allies, and on a technical proficiency which others were sure to equal in time; so that the Corinthian orators could say with justice that Athenian skill was more easily acquired than Dorian valour. At once receptive and communicative, Athens absorbed all that Greece could teach her, and then returned it in a more elaborate form, but without the freshness of its earliest inspiration. Yet there was one field that still afforded scope for creative originality.