Two philosophers only can be named who, in modern times, have rivalled or approached the moral dignity of Socrates. Like him, Spinoza realised his own ideal of a good and happy life. Like him, Giordano Bruno, without a hope of future recompense, chose death rather than a life unfaithful to the highest truth, and death, too, under its most terrible form, not the painless extinction by hemlock inflicted in a heathen city, but the agonising dissolution intended by Catholic love to serve as a foretaste of everlasting fire. Yet with neither can the parallel be extended further; for Spinoza, wisely perhaps, refused to face the storms which a public profession and propagation of his doctrine would have raised; and the wayward career of Giordano Bruno was not in keeping with its heroic end. The complex and distracting conditions in which their lot was cast did not permit them to attain that statuesque completeness which marked the classic age of Greek life and thought. Those times developed a wilder energy, a more stubborn endurance, a sweeter purity than any that the ancient world had known. But until the scattered elements are recombined in a still loftier harmony, our sleepless thirst for perfection can be satisfied at one spring alone. Pericles must remain the ideal of statesmanship, Pheidias of artistic production, and Socrates of philosophic power. Before the ideas which we have passed in review could go forth on their world-conquering mission, it was necessary, not only that Socrates should die, but that his philosophy should die also, by being absorbed into the more splendid generalisations of Plato’s system. That system has, for some time past, been made an object of close study in our most famous seats of learning, and a certain acquaintance with it has almost become part of a liberal education in England. No better source of inspiration, combined with discipline, could be found; but we shall understand and appreciate Plato still better by first extricating the nucleus round which his speculations have gathered in successive deposits, and this we can only do with the help of Xenophon, whose little work also well deserves attention for the sake of its own chaste and candid beauty. The relation in which it stands to the Platonic writings may be symbolised by an example familiar to the experience of every traveller. As sometimes, in visiting a Gothic cathedral, we are led through the wonders of the more modern edifice—under soaring arches, over tesselated pavements, and between long rows of clustered columns, past frescoed walls, storied windows, carven pulpits, and sepulchral monuments, with their endless wealth of mythologic imagery—down into the oldest portion of any, the bare stern crypt, severe with the simplicity of early art, resting on pillars taken from an ancient temple, and enclosing the tomb of some martyred saint, to whose glorified spirit an office of perpetual intercession before