Meanwhile the morality of Stoicism had enlisted a force of incalculable importance on its behalf. This was the life and death of the younger Cato. However narrow his intellect, however impracticable his principles, however hopeless his resistance to the course of history, Cato had merits which in the eyes of his countrymen placed him even higher than Caesar; and this impression was probably strengthened by the extraordinary want of tact which the great conqueror showed when he insulted the memory of his noblest foe. Pure in an age of corruption, disinterested in an age of greed, devotedly patriotic in an age of selfish ambition, faithful unto death in an age of shameless tergiversation, and withal of singularly mild and gentle character, Cato lived and died for the law of conscience, proving by his example that if a revival of old Roman virtue were still possible, only through the lessons of Greek philosophy could this miracle be wrought. And it was equally clear that Rome could only accept philosophy under a form harmonising with her ancient traditions, and embodying doctrines like those which the martyred saint of her republican liberties had professed. The Roman reformers were satisfied to call themselves Stoics; and, in reviewing the Stoic system, we saw to what an extent they welcomed and developed some of its fundamental thoughts. But we have now to add that the current which bore them on had its source deeper down than the elaborate combinations of Zeno and Chrysippus, and entered into the composition of every other system that acted on the Roman intellect simultaneously with theirs. Thus whatever forces co-operated with Stoicism had the effect not of complicating but of simplifying its tendencies, by bringing into exclusive prominence the original impulse whence they sprang, which was the idea of Natural Law. Hence the form ultimately assumed by Roman thought was a philosophy of Nature, sometimes appearing more under a Stoic, and sometimes more under a Cynic guise. Everything in Roman poetry that is not copied from Greek models or inspired by Italian passion—in other words, its didactic, descriptive, and satiric elements—may be traced to this philosophy. Doubtless the inculcation of useful arts, the delight in beautiful scenery, the praises of rustic simplicity, the fierce protests against vice under all its forms, and the celebration of an imperial destiny, which form the staple of Rome’s national literature, spring from her own deepest life; but the quickening power of Greek thought was needed to develope them into articulate expression.