The Greek Philosophers, Vol. 2 (of 2)Benn, Alfred William
Philosophy
The Greek Philosophers, Vol. 2 (of 2)
Benn, Alfred William
Philosophy, Ancient
For a long time the history of the Roman Empire was written by the
descendants of its most deadly enemies—by Christian ecclesiastics or
by scholars trained under their influence, and by the inheritors of
the northern races who overran and destroyed it. The natural tendency
of both classes was to paint the vices of the old society in the most
glaring colours, that by so doing they might exhibit the virtues of its
conquerors and the necessity of their mission in stronger relief. In
this respect, their task was greatly facilitated by the character of
the authorities from whom their information was principally derived.
Horace and Petronius, Seneca and Juvenal, Tacitus and Suetonius,
furnished them with pictures of depravity which it was impossible
to exaggerate, which had even to be toned down before they could
be reproduced in a modern language. No allowance was made for the
influence of a rhetorical training in fostering the cultivation of
effect at the expense of truth, nor for the influence of aristocratic
prejudice in securing a ready acceptance for whatever tended to the
discredit of a monarchical government. It was also forgotten that the
court and society of Rome could give no idea of the life led in the
rest of Italy and in the provinces. Moreover, the contrast continually
instituted or implied by these historians was not between the ancient
civilisation and the state of things which immediately succeeded it,
nor yet between the society of a great capital as it was then, and as
it was in the historian’s own time. The points selected for contrast
were what was worst in Paganism and what is best in Christianity. The
one was judged from the standpoint of courtiers and men of the world,
embittered by disappointment and familiar with every form of depravity,
the other was judged from the standpoint of experience acquired in a
college quadrangle, a country parsonage, or a cathedral close. The
modern writer knew little enough even about his own country, he knew
next to nothing about what morality was in the Middle Ages, and nothing
at all about what it still continues to be in modern Italy.
Even the very imperfect means of information supplied by the literature
of the empire were not utilised to the fullest extent. It was naturally
the writers of most brilliant genius who received most attention,
and these, as it happened, were the most prejudiced against their
contemporaries. Their observations, too, were put on record under
the form of sweeping generalisations; while the facts from which a
different conclusion might be gathered lay scattered through the pages
of more obscure authorities, needing to be carefully sifted out and
brought together by those who wished to arrive at a more impartial view
of the age to which they relate.
Public-domain text, read in full here on John Shaqi.
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