Now it was by this side of Platonism that Aristotle also had been most deeply fascinated. While constantly criticising the ideal theory, he had, in truth, accepted it under a modified form. His universal classification is derived from the dialectic method. His psychology and theology are constructed on the spiritualistic basis of the Academy, and out of materials which the founder of the Academy had supplied. It was therefore natural that Plotinus should avail himself largely of the Stagirite’s help in endeavouring to reproduce what a tradition of six centuries had obscured or confused. To reconcile the two Attic masters was, as we know, a common school exercise. Learned commentators had, indeed, placed their disagreement beyond all dispute. But there remained the simpler course of bringing their common standpoint into greater prominence, and combining their theories where this seemed possible without too openly renouncing the respect due to what almost all considered the superior authority of Plato. To which of the two masters Neo-Platonism really owed most is a question that must be postponed until we have made ourselves acquainted with the outlines of the system as they appear in the works of Plotinus. IV. It has been already mentioned how large a place was given to erotic questions by the literary Platonists of the second century. Even in the school of Plotinus, Platonic love continued to be discussed, sometimes with a freedom which pained and disgusted the master beyond measure.[431] His first essay was apparently suggested by a question put to him in the course of some such debate.[432] The subject is beauty. In his treatment of it, we find our philosopher at once rising superior to the indecorous frivolities of his predecessors. Physical beauty he declares to be the ideal element in objects, that which they have received from the creative soul, and which the perceptive soul recognises as akin to her own essence. Love is nothing but the excitement and joy occasioned by this discovery. But to understand the truer and higher forms of beauty, we must turn away from sensible perceptions, and study it as manifested in wise institutions, virtuous habits, and scientific theories. The passionate enthusiasm excited by the contemplation of such qualities as magnanimity, or justice, or wisdom, or valour can only be explained by assuming that they reveal our inmost nature, showing us what we were destined for, what we originally were, and what we have ceased to be. For we need only enumerate the vices which make a soul hideous—injustice, sensuality, cowardice, and the like—to perceive that they are foreign to her real nature, and are imposed on her by contamination with the principle of all evil, which is matter. To be brave means not to dread death, because death is the separation of the soul from the body. Magnanimity means the neglect of earthly interests. Wisdom means the elevation of our thoughts to a higher world.