The Greek theater and its dramaFlickinger, Roy C. (Roy Caston)
History
The Greek theater and its drama
Flickinger, Roy C. (Roy Caston)
Drama -- Technique; Greek drama -- History and criticism; Theater -- Greece -- History -- To 500
Finally, not to extend this list unduly, in Molière’s _Tartuffe_ by the
time that Orgon has at length unmasked the hypocrite he had played into
his hand to such an extent, by deeding him his property and by intrusting
him with incriminating papers, that it is impossible to conceive how he
can be extricated. But at this crisis an officer of police in the name of
the French king (almost a divine figure in those days) rescues him from
his troubles:
Monsieur, dismiss all anxious fears. We live beneath a prince
the foe of fraud,—a prince whose eyes can penetrate all hearts;
whose mind the art of no impostor can deceive.... This one
was powerless to mislead him; those wily schemes he instantly
detected, discerning with his keen sagacity the inmost folds
of that most treacherous heart. Coming to denounce you, the
wretch betrayed himself; and by the stroke of some high justice
the prince discovered him, by his own words, to be a great
impostor, ... In a word, the monarch ... ordered me to follow
him here and see to what lengths his impudence would go, and
then to do justice on him for your sake. Yes, I am ordered to
take from his person the papers which he boasts of holding, and
place them in your hands. The king, of his sovereign power,
annuls the deed you made him of your property; and he forgives
you for the secret to which your friendship for an exile led
you.
[Wormeley’s translation.]
Who, with such examples of artificial and mechanical dénouements before
him, will cast the first stone at the deus ex machina of the Greeks?[363]
Public-domain text, read in full here on John Shaqi.
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