The Greek theater and its dramaFlickinger, Roy C. (Roy Caston)
History
The Greek theater and its drama
Flickinger, Roy C. (Roy Caston)
Drama -- Technique; Greek drama -- History and criticism; Theater -- Greece -- History -- To 500
[Ληναικ]α[ὶ ποη]τῶν Πο[.....] Ι Φίλι[ππος Γ?]ΙΙ —
[κωμικ]ῶν Με[ταγένη]ς ΙΙ Χόρη[γος —] Διο[νύσι]ος Ι
[Ξ]ενόφιλος Ι Θεό[πομπ]ος ΙΙ Ἀναξα[νδρί]δης ΙΙΙ Κλέ[αρχ]ος [Ι.]
[Τ]ηλεκλείδης Γ Πολ[ύζηλο]ς ΙΙΙΙ Φιλέτα[ιρο]ς ΙΙ Ἀθηνοκλῆς[
5 Ἀριστομένης ΙΙ Νικοφ[ῶν —] Εὔβουλος ΓΙ Πυρ[ήν?] Ι 5
Κρατῖνος ΙΙΙ Ἀπο[λλοφάνη]ς Ι Ἔφιππος Ι[.?] Ἀλκήνωρ Ι
Φερεκράτης ΙΙ Ἀμ[ειψίας —] [Ἀ]ντιφάν[ης] ΓΙΙΙ Τιμοκλῆς Ι
Ἕρμιππος ΙΙΙΙ Ν[ικοχάρης —] [Μ]νησίμ[αχος] Ι Προκλείδης Ι
Φρύνιχος ΙΙ Ξενο[φ]ῶν Ι Ναυ[σικράτ]ης ΙΙΙ Μ[έν]ανδρος Ι[—
10 Μυρτίλος Ι Φιλύλλιος Ι Εὐφάνη[ς —] Φ[ι]λήμων ΙΙΙ 10
[Εὔ]πολις ΙΙΙ Φιλόνικος Ι Ἄλεξις ΙΙ [—] Ἀπολλόδωρο[ς—]
— [.......]ς Ι [Ἀρ]ιστ[οφῶν —] Δίφιλος ΙΙΙ
— [Κηφισόδοτος Ι — Φιλιππίδης ΙΙ[—
— — — Νικόστρατος [—
15 — — — Καλλιάδης Ι 15
— — — Ἀμεινίας Ι
— — [Ἀσκληπιό?δω]ρος Ι Ι Ι Ι
Besides some other inscriptions of lesser importance than those already
discussed, Aristotle’s _Didascaliae_ was the source, directly or
indirectly, also of several treatises, collections of classified data,
catalogues, etc., dealing with various phases of Greek theatrical history
and compiled by such men as Dicaearchus, Callimachus, and Aristophanes of
Byzantium. I shall close with an account of one of these. I refer to the
system of numbering which was applied to ancient plays. Thus, according
to the ancient hypothesis (argument) to Sophocles’ _Antigone_ that drama
“was counted the thirty-second” (λέλεκται δὲ τὸ δρᾶμα τοῦτο τριακοστὸν
δεύτερον), and the first hypothesis to Aristophanes’ _Birds_ declares
that that comedy “is the thirty-fifth” (ἔστι δὲ λέ). Before going farther
it will be best to state that the latter numeral is inexplicable under
any theory, but that Dindorf’s substitution of ιέ for λέ (“fifteen” for
“thirty-five”) is a satisfactory and convincing emendation. With the
publication of the Vatican hypothesis to Euripides’ _Alcestis_ in 1834
a third numeral came to light: τὸ δρᾶμα ἐποιήθη ι̅ζ̅ (“the drama was
made seventeenth”). By far the most significant numeral, however, was
published in the _Oxyrhynchus Papyri_ in 1904. Here at the top of the
last column of a hypothesis to Cratinus’ lost _Dionysalexandros_ stood
the following heading, doubtless repeated from the beginning of the
hypothesis, which is now lost:
Διονυσ[αλέξανδρος] “The Dionysalexandros
η̅ Eighth
κρατ[εινου] Of Cratinus”
Public-domain text, read in full here on John Shaqi.
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