[343] In addition to the works mentioned on pp. xvii and xx f., above, cf. Petersen, _Preisrichter der grossen Dionysien_ (1878); Hayley, “Social and Domestic Position of Women in Aristophanes,” _Harvard Studies_, I (1890), 159 ff.; Lounsbury, _Shakespeare as a Dramatic Artist_ (1902); Goodwin’s edition of Demosthenes’ _Against Midias_, Appendix IV (1906); Capps, “Epigraphical Problems in the History of Attic Comedy,” _American Journal of Philology_, XXVIII (1907), 179 ff.; Legrand, _Daos; Tableau de la comédie grecque pendant la période dite nouvelle_ (1910), translated by Loeb in 1917 under the title _The New Greek Comedy_; Sheppard, _Greek Tragedy_ (1911); and Ruppel, _Konzeption und Ausarbeitung der aristophanischen Komödien_ (1913). [344] A mina was equivalent to one hundred drachmae and was worth about $18, though allowance must be made for the greater purchase value of money in those days. [345] Cf. Lysias xxi, §§ 1-5. [346] Cf. his _Life of Nicias_, III. [347] Cf. Aristotle, _Constitution of Athens_, c. 56. [348] Cf. Kock, _Comicorum Atticorum Fragmenta_, I, 16, fr. 15 (Cratinus). [349] Cf. Sheppard, _op. cit._, p. 58. [350] Cf. Legrand, _op. cit._, pp. 312-15 and 455 f. [351] Cf. Prescott in _Classical Philology_, XI (1916), 132. [352] Cf. Hall, _The Ancient History of the Near East²_ (1913), p. 48. [353] Cf. Albright, _The Shakesperian Stage_ (1909), pp. 148 f. [354] In addition to the works mentioned on pp. xvii and xx f., above, cf. Thirlwall, “On the Irony of Sophocles,”_Philological Museum_, II (1833), 483 ff.; Neckel, _Das Ekkyklema_ (1890); Trautwein, _De Prologorum Plautinorum Indole atque Natura_ (1890); Dörpfeld-Reisch, _Das griechische Theater_ (1896), pp. 234 ff.; Bethe, _Prolegomena zur Geschichte des Theaters im Alterthum_ (1896), pp. 100 ff.; Exon, “A New Theory of the Eccyclema,” _Hermathena_, XI (1901), 132 ff.; Leo, _Der Monolog im Drama, ein Beitrag zur griechisch-römischen Poetik_ (1908); Polczyk, _De Unitatibus et Loci et Temporis in Nova Comoedia Observatis_ (1909); Flickinger, “Dramatic Irony in Terence,” _Classical Weekly_, III (1910), 202 ff.; Arnold, _The Soliloquies of Shakespeare_ (1911); Fensterbusch, _Die Bühne des Aristophanes_ (1912), pp. 51 ff.; Harms, _De Introitu Personarum in Euripidis et Novae Comoediae Fabulis_ (1914); and Rees, “The Function of the Πρόθυροv in the Production of Greek Plays,” _Classical Philology_, X (1915), 134 ff. [355] Cf. scholia to Aeschylus’ _Eumenides_, vs. 64, Aristophanes’ _Acharnians_, vs. 408 and _Clouds_, vs. 184, and Clemens Alexandrinus, p. 11 (Potter). [356] Fig. 74 is specially drawn, but owes several features to Figs. 93 f. in Dörpfeld-Reisch, _Das griechische Theater_. Since Exon’s discussion and drawing of the eccyclema presuppose a theater with a stage, it has been necessary to modify his conception so as to bring it into conformity with the Dörpfeld theory. [357] See p. 244, n. 1, above.