The Greek theater and its dramaFlickinger, Roy C. (Roy Caston)
History
The Greek theater and its drama
Flickinger, Roy C. (Roy Caston)
Drama -- Technique; Greek drama -- History and criticism; Theater -- Greece -- History -- To 500
Terence’s Latin plays and which has partially been restored to us by the
recent discovery of large fragments of Menander’s comedies; and in the
second place this fourth-century structure probably reproduced in stone
the main outlines of the earlier theater in which the later tragedies
of Sophocles and Euripides and all the plays of Aristophanes were
performed. This supposition is strengthened by the fact that the extant
fifth-century dramas could readily be “staged” in the Lycurgus theater.
Further alterations were made in the Athenian theater during the first
or second century B.C. (Fig. 38).[151] So far as can now be established,
this Hellenistic theater differed from its immediate predecessor only in
two particulars. The front of the parascenia was moved back about six
and a quarter feet,[152] the parodi being thereby enlarged to the same
extent. What advantage was gained by this alteration has not yet been
discovered. The other change consisted in the erection, at last, of a
stone proscenium, about thirteen feet in height, between the parascenia
and about six and a half feet in front of the central fore wall of the
scene-building. At Epidaurus, Eretria, Delos, etc., the supports of the
proscenium were only half-columns, and sometimes they had grooves or rims
running vertically along their sides or had the rear half of the column
cut into an oblong for the purpose of providing a firmer fastening for
the painted panels (πίνακες) in the intercolumniations (Fig. 72). But at
Athens the proscenium columns were whole and were not equipped with any
of these devices.
[Illustration: FIG. 38.—Ground Plan of the Hellenistic Theater in Athens
According to Dörpfeld.
See p. 70, n. 2]
We have already passed far beyond the time when masterpieces of Greek
drama were receiving their premier performances in the Athenian theater;
after the third century the dramatic productions in Attica were no longer
of consequence. Yet for the sake of completeness it will be necessary to
record briefly two later periods in the history of this structure.
Public-domain text, read in full here on John Shaqi.
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