The Green Book; Or, Freedom Under the Snow: A NovelJókai, Mór
History
The Green Book; Or, Freedom Under the Snow: A Novel
Jókai, Mór
Russia -- History -- December Uprising, 1825 -- Fiction
Wild spirits reign among the crowd! The samovars are inexhaustible with
their supplies of hot tea, and epicures who know how to enjoy life
swallow mountains of sweet ices, and salt cucumbers immediately after.
The people listen to Volkslied singers, and join in with them; while
those who have brought their three-sided balalaikas with them accompany
the voices--no very difficult art, as it is an instrument with only two
strings.
And it is not only a day for "the masses"; the "classes" are there also
in all their magnificence. True, every precaution has been taken to
prevent "the masses" from encroaching upon their betters. To this end
the Summer Garden is enclosed, and there the world of fashion is to be
seen driving in every variety of equipage, from the barouche to the
national _proledotky_, the owners exhibiting their costly furs and
running Bolognese dogs.
The frozen Neva, open to all, is alive with thousands and thousands of
sledges, from smart gilded ones with their English thoroughbreds to
those of simple Lapland construction drawn by reindeer, crossing and
recrossing each other on the polished surface of the river. The Northern
Babel is in full force.
As evening comes on, the terrace of the pavilion is illuminated with
Bengal lights, and huge pitch bonfires spring into flame, showing up the
animated picture of the people's feast in varied coloring.
After the fireworks three salvoes of cannon from the citadel give the
signal for the bells in all the churches to begin ringing in honor of
St. Michael.
These three salvoes and ringing of church bells are to serve as a signal
to the conspirators. At the first sound they are to rush forward, armed
with knives and torches, with the cry, "Napoleon is here! Here is
Napoleon!" When, under cover of the noise of the pealing bells, they
have forced a way into the midst of the aristocrats and soldiers, it
will be easy for them, in the universal chaos, to push on to the palace
and murder him of whom the _Song of the Knife_ was written.
The thing was plain, a foregone conclusion. That afternoon a strong
southwest wind from the sea had sprung up, to the discomfort of many.
True, the St. Petersburger is accustomed, if one fur coat be not
sufficient, to put on two; but the poor performers suffered much damage
from the wind, which blew down their booths and stopped their
performances. The tight-rope dancer dared not venture upon his
neck-breaking exhibition, for the storm would have carried off him and
his son bodily like a couple of flies. Aristocratic ladies in the
enclosure lamented that the wind tore their veils off their bonnets.
Greater still were the lamentations anent the fireworks, for none but
Bengal lights and wheels could succeed on such a night.
Towards evening the gale rose to a perfect hurricane. Suddenly came the
roar of the cannon from the citadel, and simultaneously the peal of
bells. Three hundred bells at one and the same time! A carillon truly.
Public-domain text, read in full here on John Shaqi.
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