The Green Book; Or, Freedom Under the Snow: A NovelJókai, Mór
History
The Green Book; Or, Freedom Under the Snow: A Novel
Jókai, Mór
Russia -- History -- December Uprising, 1825 -- Fiction
A romance instead of a song of freedom? Why not? in order to cover an
untimely appearance, the wisest thing for a poet to do was to read or
recite something, no matter what, so that the others meanwhile could
recover their self-possession.
But this was no mere rhyming jingle. No sooner had he begun than the
attention of all was riveted on his verses. The poetic form was striking
and brilliant, the thought original, the conception fine; there were
fire, passion, audacity, and beauty of expression in it, united to a
natural grace and simplicity.
No one had heard the lines before. As he finished, Zeneida, hurrying up
to him, pressed both his hands in hers. She did not kiss him as she had
kissed Ryleieff, but the tears which flowed from her eyes were a higher
recompense. A kiss is cheap. Tears are costly.
The whole company of conspirators, forgetting alike "green book" and
reorganization, hastened to congratulate the poet, who suddenly, like a
comet from before which the wind has chased the clouds, found himself
revealed in all his glory.
Chevalier Galban was now convinced that this was no gathering of
conspirators, but merely a select assemblage who met for games of chance
and intellectual and literary interchange of thought--both prohibited,
it is true, in Russia--for which reason they were obliged to meet in
secret.
_Par exemple_, such verses would be public property in any other
country, and half the world would be running after the poet.
"Bah!" returned Pushkin, excited by the applause he had created. "Do you
not know that feebleness is the goddess we worship, and the priest of
her altar is called the 'Censor'?"
General laughter broke out at these cutting words. The Censor is as
stereotyped a marionette in Russia as in other countries. Galban seized
the opportunity to bring his talents as _agent provocateur_ into the
field.
"Yes, indeed, ladies and gentlemen, the Censor is a necessary evil among
us. You are aware that the Czarina Catherine II. once, at the instance
of her men of letters, commanded full freedom of the press in Russia
for--three days! It would be seen then what fruit the tree would bear.
It would have been thought that those three days would have proved a
harvest-time for songs of freedom, prohibited pamphlets, and
philosophical treatises to crawl out of their hiding-places, but the
result was only an avalanche of low slander and scurrilous anecdotes.
The press was flooded with a stream of scandalous personalities,
directed against well-known families and personages; so that already on
the second day of the freedom of the press the Czarina was besieged
with petitions to countermand the third day and reinstate the censure."
No one save Pushkin deemed it advisable to accept the proffered
challenge; but he, as a poet, could not suffer the liberty of the press
to be a mark for ridicule.
Public-domain text, read in full here on John Shaqi.
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