The Green Book; Or, Freedom Under the Snow: A NovelJókai, Mór
History
The Green Book; Or, Freedom Under the Snow: A Novel
Jókai, Mór
Russia -- History -- December Uprising, 1825 -- Fiction
The son of the murdered man, who had ascended the throne over his
father's dead body, had, at the turn of the year, listened for many an
anniversary to the solemn strain, kneeling low, bedewing his _prie dieu_
with his tears; and one being there was who fully shared the sorrow of
his heart. With every fibre that heart of his vibrated to the sad notes,
a truer timepiece than the clock: it attuned its note to the triumphant
strains of victory, as to the undertone of sadness when it reproached
him that his father's corpse had been his stepping-stone to the throne,
threatening that his body, likewise, should be the stepping-stone to his
successor. This was the great trouble of his life; the ever-present
torture of his soul. To no one had he confided it save to his wife. No
one had ever comforted him in the hours of his agonized wrestling with
that burden of grief save his wife. Now that is all over. The
soul-destroying blue eyes, in whose depths he had sought a new heaven,
gave him for heaven the cold, blue ether eternally separating earth from
heaven for him. The Czar of all the Russias has no one in whom he can
trust. The mightiest of the mighty has no place where he may sleep in
peace. The most forlorn pilgrim of the desert is not so utterly alone as
is he.
When the last notes of the hymn has died away, and the husband, so long
waited for, has not returned, the wife, rising, fetches a portrait of
him painted upon ivory, and places it upon the table by the place he
should have occupied. It is the portrait of a proud, heroic man, with
smiling lip and unclouded brow--such as he was as a bridegroom. She
gazes at it long, so long that her eyes are suffused with tears. Nothing
is left to her of him but this portrait. He whom it represents has long
ceased to smile.
Two sledges, already horsed, are drawn up before the colonnade of the
Winter Palace. One is harnessed with six horses, the other with three.
Both are closed carriages with drawn blinds. The coachman and footmen
belonging to the six-in-hand wear the livery of the Czar; those of the
three-horsed sledge that of the Grand Duke. But, on getting into them,
the Czar takes the Grand Duke's sledge, the Grand Duke that of the Czar;
and as they pass out of the gates, with jingling of bells, the one
sledge turns to the right, the other to the left. The six-horsed sledge
is followed by an escort of the guards; where it halts, there halts the
escort. The three-horsed sledge skims along the road unattended. It is
known that the Grand Duke drives home direct; he is a domesticated man.
But of the Czar none knows whither he will take his way in the course of
the long night; and nowadays it behooves one to be careful; an escort
has become a necessity!
Public-domain text, read in full here on John Shaqi.
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