The Green Flag, and Other Stories of War and SportDoyle, Arthur Conan
History
The Green Flag, and Other Stories of War and Sport
Doyle, Arthur Conan
Great Britain -- Social life and customs -- 19th century -- Fiction; Sports stories, English; War stories, English
He went off in search of him, and I was left alone with the striped
chest in the cabin. I don’t think that I’m a nervous man, but I kept
the table between me and this solid old relic of the Spanish Main.
In the growing light of morning the red and white striping was beginning
to appear, and the curious scrolls and wreaths of metal and carving
which showed the loving pains which cunning craftsmen had expended upon
it. Presently the carpenter and the mate came back together, the former
with a hammer in his hand.
“It’s a bad business, this, sir,” said he, shaking his head, as he
looked at the body of the mate. “And you think there’s someone hiding
in the box?”
“There’s no doubt about it,” said Allardyce, picking up the screwdriver
and setting his jaw like a man who needs to brace his courage.
“I’ll drive the lock back if you will both stand by. If he rises let
him have it on the head with your hammer, carpenter. Shoot at once,
sir, if he raises his hand. Now!”
He had knelt down in front of the striped chest, and passed the blade of
the tool under the lid. With a sharp snick the lock flew back. “Stand
by!” yelled the mate, and with a heave he threw open the massive top of
the box. As it swung up we all three sprang back, I with my pistol
levelled, and the carpenter with the hammer above his head. Then, as
nothing happened, we each took a step forward and peeped in. The box
was empty.
Not quite empty either, for in one corner was lying an old yellow
candlestick, elaborately engraved, which appeared to be as old as the
box itself. Its rich yellow tone and artistic shape suggested that it
was an object of value. For the rest there was nothing more weighty or
valuable than dust in the old striped treasure-chest.
“Well, I’m blessed!” cried Allardyce, staring blankly into it.
“Where does the weight come in, then?”
“Look at the thickness of the sides, and look at the lid. Why, it’s
five inches through. And see that great metal spring across it.”
“That’s for holding the lid up,” said the mate. “You see, it won’t lean
back. What’s that German printing on the inside?”
“It means that it was made by Johann Rothstein of Augsburg, in 1606.”
“And a solid bit of work, too. But it doesn’t throw much light on what
has passed, does it, Captain Barclay? That candlestick looks like gold.
We shall have something for our trouble after all.”
He leant forward to grasp it, and from that moment I have never doubted
as to the reality of inspiration, for on the instant I caught him by the
collar and pulled him straight again. It may have been some story of
the Middle Ages which had come back to my mind, or it may have been that
my eye had caught some red which was not that of rust upon the upper
part of the lock, but to him and to me it will always seem an
inspiration, so prompt and sudden was my action.
“There’s devilry here,” said I. “Give me the crooked stick from the
corner.”
Public-domain text, read in full here on John Shaqi.
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